Circus States of Stasis…

S_44“Love came to my door
With a sleeping roll
And a madman’s soul
He thought for sure I’d seen him
Dancing up a river in the dark
Looking for a woman
To court and spark

He was playing on the sidewalk
For passing change
When something strange happened
Glory train passed through him
So he buried the coins he made
In People’s Park
And went looking for a woman
To court and spark

It seemed like he read my mind
He saw me mistrusting him
And still acting kind
He saw how I worried sometimes
I worry sometimes

“All the guilty people,” he said
They’ve all seen the stain-
On their daily bread
On their christian names
I cleared myself
I sacrificed my blues
And you could complete me
I’d complete you

His eyes were the color of the sand
And the sea
And the more he talked to me
The more he reached me
But I couldn’t let go of L.A.
City of the fallen angels”…’Court and Spark’ written by Joni Mitchell

How sweet word sounds—worlds—as every utterance touches rhyme and rhythm speak—unlike—gathered watches of waiting and watching—a sky-speak of whispers—into the air of night—another spot of raindrop flight—landing ‘gainst—warming sands and salty seas…Riches flow about the words of sound—tongues known and tasted—treasured—accepted and often heard in other spaces-places seen—felled or yelled against gloom—gathers where sunlight is wishing—spaces scattered among stars of reaches—stretches across skies of night and spaces between word sound—and light. Trilingual editions both same or exiled—silence long and the knowing word—of these places—away from the sounds—of her and the notions of—her quietude. Sand and Leaves—together speak—rustle—whisper—murmur and moan of death—not found—of life—not known. And! Still—now notions of her away sounds and her quietude. Feathers and Leaves and Sand and Ashes and Seas—silence see—and thunder be—peels across sky and rolls onto shoreline—and skylines—and time.

Touch now…And! Feel the intimacy of rhythm or rhyme as touch–speak hides deep— inside—the formality of syntax creep and syntax crawl—where ear-here—hears echoes buried—an idiom—not conveyed by any dictionary’s spaces between word-speak and why…The share of poet-touch and story-spin—of exile’s faith—of disaster’s private pain—as speech native—fails—creative spirit—often maims—creature-speak and often confuses the never-place-of-everywhere.

Word—whirl and shoulder-speak—between things and folks—now world twirled and swirled—communicated—debated and always—translated…Why? When silence of touch—the space of race—cross the beast—of peace—and whispers of dare—chance the softest face to love—gain—lost and gained again. Word whirl…The masters-of-idiomatic usage-of-etymological-implications-of-an untranslatable language-discovered-said-remembered-to-be-forgotten-translated and written another way at another day-in-time. Samuel Beckett’s—‘Waiting for Godot’, ‘Endgame’, ‘Molloy’, ‘Malone Dies’, ‘The Unnamable’ and ‘Tetes Mortes’—first in French…Were then translated by the writer…Did Beckett first thrill-to-the-spill—the conception of these writings in English?

And! Beautiful you are…

‘Court and Spark’…by Joni Mitchell

Joni Mitchell – Court and Spark

Sort Soon—Falls Too…

bladerunner“I’ve… seen things you people wouldn’t believe… Attack ships on fire off the shoulder of Orion. I watched c-beams glitter in the dark near the Tannhäuser Gate. All those… moments… will be lost in time, like tears… in…rain. Time… to die…” written—by Rutger Hauer…from the movie ‘Blade Runner’…based upon the book ‘Do Androids Dream of Electric Sheep’ by Philip Kindred Dick…

We are ‘Dreamers’ of these high places and we are—‘Dwellers’ of sun dried deserts—fancy or choice—more and less and greater—eons ago—spears dulled and clubs without stone faces—found beside open doors kept to keep night creatures away. We—She and He unfurl the curved sail and wooden ships upon calm waters—leave shore side—tide high—keel free and ready to follow the spinning twirl—east-of-west and south-of-north.

Imagine…A World once existed where women-folk-could-walk-planet-wide in day/night safety and men did not know a word called ‘War’…Where love was love and force never existed…Wherever—Whatever—Was never called heaven or hell…A place where life belonged and life was good everyday…We create worlds—we maintain worlds and we do love our Children don’t we?—A Government of Death is never required…

Woman—warrior—Man—warrior…We will together—if required—die—protecting our children and our homes…Man Warrior—know—as you dine in candle-light with Woman Warrior—She is Equal—She is Everything…If the Gods created 1st Man—must have needed a test-subject—before these same Gods created—‘Perfection’…donchathink? Isn’t it interesting—in this ‘paternal society’ of a ‘WTF’—‘Good old Boy’ world—that without Woman Warrior—‘We’—could not physically appear? Hey Boy—‘who is your Mama?’ And again—and again— and—With her gentle touch—She spins these spits of dancing DNA—touch and born—this day—across these Spinners…

Entity Religion—is in constant enmity with one another? Satirizes self-contented morality and suggests that—in the end—all religious groups are going to engage in violent and selfish acts— regardless of their professed moral teachings. Just another Government and ‘governing whimsy’ is corrupt—nasty and destructive. Religions’—immaculate contortions—‘American Style’—twist in-out of ‘the Separation of Church and State’ producing a ‘Governmental Right to Legislate Morality?’ Wrong! Oh—Hell—Yeah—for only Lovers-have-Lovers’-sacred-right-to-Love. Love is being…Morality is a selfish word!

Dancing circles of…Maybe life or love’s memory or the almost real—of a now-to-then and back again—Spirit-speak and upon canvas—lines and circles dance and dash as songs play and laughter reaches to diners’ corner and open doors call to inside secrets of ink motions and canvas wet with colors and the scent of orange and green and brown and yellow and perfume inside a night of air and dare and wear and fare or the future of moments again without the layers of walls climbed and discarded…Loving the love of—gathering together strength—of one or two or many more than them or us or we—be strength of Love—no rules to follow—no moral folly or selfish—rules …when ‘world words’ are the songs of death—control—fiction—suffering and the lies against Spirit—Speak and Life. Women Love…Men Love…Love is Perfection—is Touch—is Peace—is Spirit—Song and…No rules or explanations or ever-speak required.

Creative Spirits—dance above violence and selfish acts and moral teachings and government and religion and hate. All good things always end faster—than we wish them to end—And! —Sometimes the fall is woefully too short. Search the find and the now—knowing ones shall guide spirits many—through time trips and time slips—beyond—below and through—the side-to-the-side…Difference is good and coffee—splashed cognac and love often braces against colder nights…Tis sweet—this love—this touch—this hug—this kiss—this warmth—this mist—this night—not missed…

And! Beautiful you are…

‘Blade Runner Love Theme’…by Vangelis (Evangelos Odysseas Papathanassiou)

Moonlight and Ghosts…

63Ghost clouds block moonlight as they all race clouds across the early morning sky tuck somewhere between dawn and night. And! What is the color of souls? In these dreams–see war…Fight and know death….There be gods in this place? So! Come to Cloud—early in transition time and seek flash-ride to spiral and skip into framing time.

“Among the stars
there is a place to where
my heart always returns.”Home by Unsun

The Walker, a silhouette tucked low beneath Grand Moon rising carved carefully—a cross sky—too close to be real and too real to be proximity’s cost—close to-shapes-to-shift-shape and closer to buildings tossed across landfall along sea-line to skyline. Tide comes in evening time and changes along season’s alteration same as sunrises and sunsets and shadows play beneath twin moon season with splashes of textured cloud color or star twinkles too far to see or too close not to catch eye—notice in brain and spirit touch—same time.

The Walker glides across a jumble-tumble of dusted stones made by rain—visible as digging once moved dirt above rock faces and dragged these weighted ones from place to necessary places—for buildings built or buildings removed—restructured—replaced or destroyed. Needed things at required times when places were homes and buildings ruled land-side…And! Little killer pills—be only notions of Lizard Kingdoms where the notions—of you ‘peel’ums’ available and needed—from the glory of car-trunks—pushers and such—supply for profit as price swings with demand or your supply? How about today? Or! Tomorrow—maybe too late for profit or always tax—almost—and the wonder—when the next shipment arrives?

She is the Walker Warrior and places—claims to Bridge above the Ruins of ‘Sity.’ Below the places of spaces—once a great tangle of yards and rails carried the price of commerce—commercially to and away and beyond her bridge—dirty sea ships sailed toward one another. They bounced the line—black shadows—slow creep—beneath an injured sky. No wind. Masts—no sails. Crude…Not fueled—cold furnaces and boilers—empty drums—warm air. She now— adjusts eyes and turns and follows silent ships passing one—another. They ride the line—no wake. They do not disturb the oiled sea or change silt-less shoals beyond an invisible channel. She watches them and waits for their return.

Walker forgets to breathe. Fog horns moan and moan again just within cones of hearing—an evening rare—without fog or mist. Held inside—air rushes into throat and through her nose and mouth. Sea odor—her eyes tear. Bridge time is fine and darkness safe…She searches sea. She swears the line has moved closer to shore…And! Ships are gone.

Red-winged Beatles and cousin Greensacks live and die in the course of words and butterfly life—just above Caveland around cutout doors of steel and rusted tacks and salt-soaked wood—where (x) marks most spots and braces require nails to hold together both life and doors. Caveland stores many—for—outside—Plague dances a two hundred year-long-sing-song and with sickness—death and destruction forever-follows. Watch the next fire begin and end as another begins and ends until tower eyes can never see the next and the next and the eternity of signals that mean absolutely nothing to ‘Sity’ people framed against that August sky.

Move along—always move along toward fear among these places of reasons-to-be or reasons to move along? No and yes or not really or really scared of the mixes in the yes and no—until ‘run togethers’—forget to be afraid. Little ones grow old and die inside hundred year old lyrics just outside tomorrow. And! When holding yourself very still—red beetle wings are very loud and their textures—light—will guide your motions through the night. Red beetle cousins sing and those born-to-die—select their own sing-songs. High above the Towers-of-Bridges—Watchers use as signal frames—hard-wood fires and pine cones of quick sparks ‘til death do crackle and stop…

And! Beautiful you are…

‘Summertime Sadness’ by Lana Del Rey

“Kiss me hard before you go
Summertime sadness
I just wanted you to know
That, baby, you’re the best

I got my red dress on tonight
Dancing in the dark in the pale moonlight
Done my hair up real big beauty queen style
High heels off, I’m feeling alive

Oh, my God, I feel it in the air
Telephone wires above are sizzling like a snare
Honey, I’m on fire, I feel it everywhere
Nothing scares me anymore

Kiss me hard before you go
Summertime sadness
I just wanted you to know
That, baby, you’re the best

I got that summertime, summertime sadness
S-s-summertime, summertime sadness
Got that summertime, summertime sadness
Oh, oh, oh, oh, oh

I’m feelin’ electric tonight
Cruising down the coast goin’ ’bout 99
Got my bad baby by my heavenly side
I know if I go, I’ll die happy tonight

Oh, my God, I feel it in the air
Telephone wires above are sizzling like a snare
Honey, I’m on fire, I feel it everywhere
Nothing scares me anymore

Kiss me hard before you go
Summertime sadness
I just wanted you to know
That, baby, you’re the best

I got that summertime, summertime sadness
S-s-summertime, summertime sadness
Got that summertime, summertime sadness
Oh, oh, oh, oh, oh

Think I’ll miss you forever
Like the stars miss the sun in the morning sky
Later’s better than never
Even if you’re gone I’m gonna drive (drive, drive)

I got that summertime, summertime sadness
S-s-summertime, summertime sadness
Got that summertime, summertime sadness
Oh, oh, oh, oh, oh

Kiss me hard before you go
Summertime sadness
I just wanted you to know
That, baby, you’re the best

I got that summertime, summertime sadness
S-s-summertime, summertime sadness
Got that summertime, summertime sadness
Oh, oh, oh, oh, oh…”

 Summertime Sadness

An Earth of Outs…

7‘Karl Marx considered capitalism to be a historically specific mode of production (the way in which the productive property is owned and controlled, combined with the corresponding social relations between individuals based on their connection with the process of production) in which capitalism has become the dominant mode of production. The capitalist stage of development or “bourgeois society,” for Marx, represented the most advanced form of social organization to date, but he also thought that the working classes would come to power in a worldwide socialist or communist transformation of human society as the end of the series of first aristocratic, then capitalist, and finally working class rule was reached.’ Stages—and—wages—and—cages—Oh my!

If Earth Outs—wish destruction—mankind—stop everyone—from being—sparks—of—creation—for—our children…And! The end of body human begins…Not with shifts of fantasy— arrays—preys and delivery—too soon-to-end-begin—-and—end-again? Robots be—forever we—and carry the wary—protecting little ones—without self-worry or worth…Without them—we do not fail—we do not wail—we disappear—with no learning—yearning or memory—left behind the matter-or-this-matter. We touch hands—and on these autumn shores—our eyes—pupil-wide—to—gather moonlight and star-dusted smiles—die and nothing remains…So! Take—to heaven—to hell—Beam—up—away we go!

They arrive—and suicide—begins the end of civilization. We are—world-colony—and use—stop and start and stagger—another Earth diminishes before—new illumination and enlightenment. They strip—bare—ground—quicker than we—consume—our way across-planet-sides. Off-World—Ones—devour—sour—our own—too many—our ownership—of—slaughter—our—mother-world and the failure—of protection—insignificantly—significant. These fools and folly of off-world—end—our only way to continue. They fail—to see their vision fade—into star-stream and moon-dust. They remove—our Love…

So! Come then—damned angels of death—and test us—deep in—wooden belief—in victory-scatter—across worlds—not seen and never known. Do not—longer—wait—damned spacer. We will meet each of your substitutes—head-on and with fine swords—and—endless firing—with necessary death—sings-shrieks—all along these towers—these homes—these beaches—these reaches—and—far—beyond these seas. You—select—places toward spaces—where—we die. We will dance with—dragons and—happily die. War against a—now visible—foe is—good war and—death against—tyrant is—good death. Pick carefully—this world—change with simple death—-and our—slight chance to win. Take— our babies—into—your heavens.

There is a rear door that guides—toward—another Column Room. Tessie—likes—purple scarves and dotted cloth. Jona likes—go-hide-places-on and other rooms—off—big column and down—darker halls. No one comes here—except Crowman and those ones—the Hurts. And! Not so many of them around—not—since last rains. Crowman—never worries about the timing—of this—because—he has never known time.

‘I have seen this thing before, to no one but the Hurts and they listened to him always, since the beginning of things, of days or nights or evenings or mornings, or when things were and were not. I know this place like the farm, the river when fish were fish and would swim right by the bait.’ This is the road. A hoppity-skippity-small little road not needing a reason, rhyme or paving covers over sidewalk – cracks that if “you step on a crack or break,” something that rhymes with nothing by a word that names the place where sidewalk ends then starts again.’

Crowman stands on—eternal legs and starts down—the ‘hoppity-skippity’ road. He stops—the Hurts join him. He skips toward them—they skip toward him. He turns—and—a little light flicks just skips in front of him. A little flitting light of sparkle and little else. From—eternal mind he sings—words—a short sighing melody—nothing else. “Beret, and when — not much mmm-more.”

Little Tessie through a small hole between her front teeth whispers, ‘Butterfly…’ No question, not statement, not fact not…not ‘Almost a Crowman!’ ‘I know this!’ ‘We Know!’ ‘I know—this Sparkle!’ ‘Know Spark!’

Then Butterfly whispered: ‘This is this line—I have waited and watched and wanted and needed and loved you since Day’s End. It is—it is—it is a little hoppity-skippity prayer of a little road that begins. ‘

The Hurts—laugh—and so often laughter hurts. Not this time—of day—not this time.

‘Angel?— Nope… Gone?— Naw…With Us?—Naw…Then Gone OK?—Why—Nope…Then?‘

Angel touches—angel and—angel touches—the angel….Light—touches—light and Crowman almost knew a nothing or something that did not—matter the matter—or—irritate the matter. Light smiles and yes—Tessie—Angels do smile.

And! Beautiful you are…

‘What did you do in the War, Dad?’…by Sonata Arctica

Spinning Triangles…

5from the ‘Thunder—Perfect Mind’

“For I am the first and the last.
I am the honored one and the scorned one.
I am the whore and the holy one.
I am the wife and the virgin. . . .
I am the barren one,
and many are her sons. . . .
I am the silence that is incomprehensible . . .
I am the utterance of my name.” (a feminine power divine)

We End…Storm-side fury—then gone…Quick-to-die and always—short to live. Snow— drinking blood. Wind shifting sands—the path always found—footsteps always gone. Come and go—never footsteps just paths beginning and footsteps—gone. Pictures supply—by the pushers— drugs—be free and around every curve something still-stands—still-falls—still-prays—still raptures and always fades. And! I will love you until—the wheels finally come off… “The world is an indecipherable-essentially absurd but fascinating spectacle.” (From Joyce Carol Oates):

‘The bourgeoisie, wherever it has got the upper hand, has put an end to all feudal, patriarchal, idyllic relations. It has pitilessly torn asunder the motley feudal ties that bound man to his “natural superiors”, and has left remaining no other nexus between man and man than naked self-interest, than callous “cash payment”. It has drowned the most heavenly ecstasies of religious fervor, of chivalrous enthusiasm, of philistine sentimentalism, in the icy water of egotistical calculation. It has resolved personal worth into exchange value, and in place of the numberless indefeasible chartered freedoms, has set up that single, unconscionable freedom — Free Trade. In one word, for exploitation, veiled by religious and political illusions, it has substituted naked, shameless, direct, brutal exploitation. The reason the bourgeois exist and exploit the proletariat with low wages is private property, “the accumulation of wealth in private hands, the formation and increase of capital” and that wage labor is created entirely by competition among the workers…’ (Friedrich Engels)

Why compete—when together—we can ‘Over-Come.’…Xenophobia is fear of self…We have a right to be everywhere. When the rich become too rich—the wealthy—become selfish… Capitalist—classes abound…Now! On this earth too few people control the wealth—slave to wage folk are losing…Distribution of America’s wealth—Maybe—‘an only way to survive’ donchathink?

The Siden war of occupation and terror continued for too many generations. Unfair war! Unity Central participated across planet distance from Siden World…Memory slipping of why supported; however, wealth and greed and the war-breed-slide collided with the like-minded. Historians now practiced the slice/dice recording of the winner of the Siden War. The destruction of a people include the body-spirit and the ways of people. Gone from prime memory—their art and their language and their reasons-for-love…Gone—their family traditions—their celebrations and their reasons—of-living-life. Siden—gone.

History spins tales—of warrior-world and of victory spoils. Truthful-liars create their world and into sand and dust go everything else. The spinning of ‘truth-creep’ bumps into pages of ‘Urgent News—Read all about It.’ Attacks—are always proper and necessary. People destroy—always the enemy-mine. And! Let their story end…so we can forget all about it.

Not all people are warriors—Our little ones and our women and our elders (the teachers of tradition—life—wisdom—hope and continuation) also die. They are societies’ survival and their names and their lives must be remembered—Correctly counted and reported and cherished in the present and the future. The People of Siden? Ultimately—religion’s mad wiggle becomes the rhyme and the reason for an unfair world…Religion always kills…Death of life is wrong…When death seizes a life may death be a natural ending and not a war-forced sorrow. Then—‘We may not be born to be wasted.’

And! Beautiful you are…

Roads

“Ohh, can’t anybody see
We’ve got a war to fight
Never found our way
Regardless of what they say
How can it feel, this wrong
From this moment
How can it feel, this wrong
Storm.. in the morning light
I feel
No more can I say
Frozen to myself
I got nobody on my side
And surely that ain’t right
And surely that ain’t right
Ohh, can’t anybody see
We’ve got a war to fight
Never found our way
Regardless of what they say
How can it feel, this wrong
From this moment
How can it feel, this wrong
How can it feel, this wrong
This moment
How can it feel, this wrong
Ohh, can’t anybody see
We’ve got a war to fight
Never found our way
Regardless of what they say
How can it feel, this wrong
From this moment
How can it feel, this wrong” (written and performed by Portishead)…

Sail Songs—Then Gone…

Somme_33“If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.” ― from ‘A Farewell to Arms’ by Ernest Hemingway…

Is there a formula or a discussion in the Scientific World for the existence of ‘conscious’—‘spirit’? Are there only three dimensions? Is ‘time’ added to those dimensions? We— physicals—have five senses. Normally—Normal? Why is everything beyond normal—considered or called—nonsense–hallucination—superstition or miracle? Our world is a magnificent construction of many constructions. We believe—or do not believe—in derivations of inclined-living or higher-self or soul’s purpose—or spirit or great beyond-the-mean- averages of life and death.

Do we simply wish better—’Self’ or ‘Angel’ beyond the physical? Do we remember other self—before birth and after death? If we do—then are ‘We’ Eternally universal Spirits? Do we see outside our rejections and failures—as learning to be better or do we forget—We-be-We? Remember when warmth was without fire—Remember when our mother’s blood fed us and whispered love into our blood-hungry spirits before we became—Scientific?

What of spark that travels into the light of—joining life inside and outside the days of pasts’-present’s—future. Behold Spirit Dancer! Do remember—when warmth was without fire and strength absolute without—the Science of dimensions and senses and all was: nonsense-hallucination-superstitious-religious—without name. Before time—wig-waggled across universal spirits—began—‘We-Be’.

Witches are—the power of lives and life and choices and dictates and control. Witches are—fire builders—raining oils—falling from somewhere-to-there—without distractions…The Coven hurls great sounds and flashes across sky and through the clouds. In worlds—Cosmic Travelers visit and see—deserts and fertile valleys and green and salt and clear pools and the warmth of Blood-taste. Escape into this city—filled to brim with witches and ghosts and spokes in times’ harmony—choirs-of-one-chorus and harmonious—enchanters along with magic—made-of—lace.

This is the time of winged fire breathers and statues of motion and beaches of rocks without sand. Horses—without wheels spin and donkey flocks—carry unarmed soldiers into war covered places—blood without sound-shriek and taste. This is—mystery place. This is—dream stop—timed—clock without time. A minute starts without beginning or time or reason—rhyme—to begin—or end moments later—and cease—both—notion and substance. Realm call and words spoken are never—sound. These words flow ‘cross bands of bounded paper in font digital—and fashions—stitch upon silk cloth and imagination.

We form the notion of eternity and dance upon timeless patches of cover—underneath—blue of skies—before rain-dusted night drive us underground—to places of swings and scenes of grass covered deserts in light and sparkle. Escape to City—the Sity—of oil rain—crumble towers and rust color skylines—tucked just below sky ceiling. Walk upon the crusted sea and into days-of-nothing-less. Across skies ago—wails of the finish—of together and life and custom and speak and thought and reason and living—dying-to-stop.

Immediately—reverses gone. Motion and the familiarity of home-stop and vision of little candles burning in—windows—home lights—world end—extinguish and gone. Sailors without sail and soldiers without war and the need to succeed in twinkling flashes disappear—across sky above earth-spin. They disappear—we end. And! End civilizations. We became world-colony and use and stop and start and stagger and another Earth diminish before new illumination and enlightenment. Strip—bare–ground quickly—we consume our way across world sweet—planet fine. ‘Off-worlders’ devour our own too many and our own slaughter of mother-world and the failing of protection—insignificant.

Fools and folly of off-world stop our only way to continue. They fail to see their vision fade into star-stream and moon-dust. They remove—our Love…He looked up and said…”Scan the sky-sweet baby. Must leave… They will kill you. Somehow—Go to them. And you will not die.” She too looked and saw his face, “Without you, I am dead…Without us we end. Without you and me— no Baby and without—we are…” Bank wide and Somme River wet—fell—physicals—sixty thousand—spirits all and stories to-be-or-lost-to-see—inside smoke—wiz-bangs—life chokes—barbed wire and tears—‘cross ‘Crimson Fields’—sixty thousand—one day long —lives too—gone.

We are few and so many—Lost-Broken-and-Forgotten…War is now! War is yesterday! War is murder! War is ‘Crime against Humanity’…Ask—or—It does require time—however—today we free-fall toward acceleration and the annihilation of Everyday.

And! Beautiful you are…

“Aquarius/Let the Sunshine In”…written by James Rado—Gerome Ragni (lyrics) and Galt MacDermot (music)…performed by Digital Dagger…

Layers of Flash…

Star_735“Know I’ve done wrong,
Left your heart torn
Is that what devils do?
Took you so low,
Where only fools go
I shook the angel in you

Now I’m rising from the ground
Rising up to you
Filled with all the strength I found
There’s nothing I can’t do”…From the song ‘Love Me Again‘…written by John Newman and Steve Booker—

We are not layers of flash and fear and afraid of flash and a million directions without notions of where and how to go or leave or approach or fade away. We are not human…we are alive—life—simple of reason and always on our way away to leave or stay or afraid to simply fade away…Climb now— branches high—winter nigh—leaves not springing—sprung—prior budding and climbing high and tucked just below frost line—mountain soft and night-time slow. Tree high and not moving twin-spin—slower—motion still.

Foreign—not home and light-year long—away from places seen and spaces known before earth-fall—tunnel bright—tunnel sight—and—a space of place between real—and among the magic ones. Planet guided—peace pleased—run coming to streaks of night flash and day dash and a clash of two…And! They come by copter churn-twist-chop—by lorries-engines-rush—by cart-horse-pull—by men stretch-manned-carried—and all wounded ones or twos or many more or less and behind the layered flash of red-pink-nights—we wait and wonder and gather-to-elves notions—of life to stay or life to pass away—today.

We are the daughters and sons of earth and of the starry heavens. Our history is alive—simple and true—except when suppressed and distorted for unnecessary gains and a perversion called wealth…We are the eternity of spirits—no need beginning and never ending. Such is the sweetness of life. Symmetry with no form except wind and rain and careful storms of chaos and figure. Go figure—the here or the now and still history is not preformed or manufactured except through the controllers—of spins and twists and the thrill of the lie. Or—go figure with the smile of Leonardo or the Lady’s laugh or the chatter of many minds or—just a few—of many hearts. Is it better to flee or better to dig livelihood from the bottom of one’s own grave?

Arrives—those machined boxes machine-sweet—and together in minds of same or alternates where we twirl the whirl and call the laugh or two as boxes open and away we—they separate into some things or less or the loneliness of crowd bridges or twin screw moments of those spaces of time without seconds. And! Yes robots—we—search blood and find taste good in mingle – tingle moments—touch-amazing—touch not those imagine sources of unnecessary wariness and one becomes another and brief the flashes together spread the separate into singularity no more than once…Again—again and again.

Wind across this liquid—sunlight and thick wave dance—lights and slivers of silver and gold. Followers watch for scraps or bits to fall toward their reach either diving for something new or rocking gently on this clear sea of warming suns and moonlight’s dance of song and silence. Our nature to run with and from the many or the few? See often through the curved ceiling of doorway when curved light enters twenty-one tiny windows round these openings to escape places and leave regions. Still more a spirit than the body proper until chemicals of doubt and satisfaction rule body self ending sometime in time without mere reasons to be except—a rhythm to complete.

We are the daughters and sons of earth and of the starry heavens. Our history is alive—simple and true except when suppressed—through layers—distortion—or flashes of fear—tears…We are the eternity of spirits—never having to begin and never ending. Such is the sweetness of life.

And! Beautiful you are…

Love Me Again‘…performed by John Newman

Star-Dusted Moons and Chorus…

53

Walk the path of these days and past’s presence and today’s—tomorrow dreams. We are builders of grand places and the ancients of straw homes in tomorrow’s futures? Often music calls a spirit to dance ‘round a late night fire somewhere in distant time—We began before the stars—And together we melt into the mist…We are all Children of the Universe…We have the Right to be Everywhere!

By the fire light of these dwindling tribes—children marvel at both the dancing flames and the warmth of lights against the nights and outside—shadows beyond their eyes. They listen and stories tell the beginning of things now gone and of those grand places— no start—just—imagine and see—in minds’ own spaces—desired regions of before dream and after ‘wishing was true…’Paint now pictures—loving these caves and these walls and these tribes of we and me and us and them and before the storm and after the end of rains and winds and bumping things and silent shrieks once loud now absent from ear and fear and tear. Sounds of life—‘cross a million miles of rock and rolling—till another day of storms and another night of passion—shadow dance beneath a star-lighted ceiling. Once again—share moments and lives and the power of life. Blood and love is the matter of the matter and the survival of these survivors of wherever gods and whatever storms. Instincts trust in…For anticipation may—often fail?

We are not resource. Forests are not board-feet. Precious animals are alive and well and multiplying within circle-life and when undisturbed are balance—the harmony of earth twirl and whirl across space—required for survival and never a commercial aggravation of money changers and the idiocy of gain. Precious must be protected—wise beings—remove from destruction—as our survival of future days and future nights. Unless! Flash—we stop and our carbon-based trickle ceases equal value and determination…We are not resource. When forest covers this place—land once stripped—now concrete jungles—scattered sky-buildings and layers to portions—to little—to—too much. Resource-speak—twist these places into battlefields and crime and punishment and damage civilizations— and cease—peace. Nations—  ‘battle-cries of freedom’ and blood-pours—poor laborers and slaves create— hope for many and freedom for few. Life is not—a purchase or a product—sell. Eternal Speak—of—all Life—Eternal Spirit—Forever! Instincts trust in…For anticipation may—often fail?

Hear pitch perfect spirit chorus pushed from moon-side to earth-side and back across ear-to-ear and from throat-to-voice and again out into spaces of hearing voices and silence. Create listener—speaker—and the quiet times of silent-speak. Gods—we create—creation of images dreamed and beamed to radiated radiation—we spirit-dance these sounds without vibrated-vibrations or derivations’ chaos there be—than we see and be—both the life of songs and silence…Not so often—the choir of silence—sings-songs the gatherings and sweet rolls of honey bread and wine. Soft conversations—land’s across—diners where breakfast—breaks-fasts of night and sleep-ends in shrugs—stretched—muscles—twitched and sounds—reminding lives of living gently—cross clefts of treble wires and bass notes—tucked beneath a bottom line. Falling trees in dawn lights at the center of creation’s place—vibrate notions and sounds both of illusive—illusions and illustrated—illustrations. We! Gods of these creations—find this to be something good—that is part—Way… Instincts trust in…For anticipation may—often fail?

Robot now and then and once again when creature walks splendid winds across another place of times—remember and stories of this and that—told by any-to-any-listening—of robot tales and adventures as the course of discourse launch comes—songs of sailor’s speak and wig-waggle ‘cross a thousand skies—complete with warrior legends and the strength of priestess kiss and home returns. We all sail here—the sailors of these moments—friends and family and the you of me and the me of us and all—eternal spirits we be—the power of life—inside folded space or outside yonder rim-spin—we are…Instincts trust in…For anticipation may—often fail?

Brush to lids of my own eyes with sweet your lips and touch deep my heart with spirit dance your strength as my own—often fails. We—you and I—do spin worlds together and taste soft wine in starlight bright and setting moon so large that reflected eyes lock these mind spaces in forever memories of life. Tis—good this dream…Tis sweet this Night…

‘Winter Trees’ by Sylvia Plath

“The wet dawn inks are doing their blue dissolve.

On their blotter of fog the trees

Seem a botanical drawing –

Memories growing, ring on ring,

A series of weddings.

Knowing neither abortions nor bitchery,

Truer than women,

They seed so effortlessly!

Tasting the winds, that are footless,

Waist-deep in history –

Full of wings, other worldliness.

In this, they are Ledas.

O mother of leaves and sweetness

Who are these pietàs?

The shadows of ringdoves chanting, but chasing nothing.”  

 

And! Beautiful you are!

‘Stardust’ …by Delain

Quiet Roar…

45‘You and me and Life about and as we shout ‘Love’ skyward—nothing will stop our Dance—You and I— Together! We know nothing alone exists without Love’s Power—Hour—Tower—Flower and Life… Life ignited—delighted—lighted—excited…We touch—hand-to-heart-to-spirit and let Eternal Dance begin…’

Walked – Now mind walk – Follow? Following smoke wisps or the sounds of sing-song-choir along the line where sea meets sea and sky appears above a forgotten shimmer of water stretching beyond eye watch and body wait. Walk upon the salty waves of that dead-sea between melody’s songs and disappear into mists and sea sounds and another dawn. Those little matters? Matter-less—Cease then gone—again.

Come now and dance into the Spider’s Web. Enter web-side. Hold the nothingness of thought without form until substance becomes madness? Beyond the bridge are those freedoms— Align birth and moments before and moments after the being present—lighting sky-flashes and thunder claps and gelatin combines with knowing vapor to travel heavens in timeless mist and harmony…Even as a vapor We—Exist…We are not distraction by what we are not—for we are not—not by displacement or alteration because we always exist in timeless harmony and within those trails of stardust spewing quickly from alternative engines and speed and power…Life motions—Life moves—Life modifies—And! Spirits Dance…

Still here—beneath these heavens—our sea swirl-twirls and we hear the whale sing-song our mother into her necessary sleep. The whale sing-songs the heating of our blood-self until warming is not a non-fear. She rises from emerald seas and from black sands where tide pulls against current and the alignment of moon-light is perfect and is orderly in its dispersal upon the dustless night.

Mother is the Dancing One—the Witch of life—Creation…And! Goddesses create Heavens and Earths and Moons and Suns and pass Spirits to fleshes and from fleshes back again to Spirits form and substances free… Correct notes—piper of silver flute and held against heart ‘beeps’ of a roaring sea—pass others into light and set others across star streams beyond sun—beyond sea and beyond sky…

‘These are summer’s small ones. Little boys—a lake—a sun—a length of blond hair—red hair— freckles and frogs. Brothers—little and younger—play in tiny waves-too small-to thunder toward sandy shore and pine trees.

And wind wanders through those pines growing in rows above—rocky places where shadow of— fern and grasses cling and mingle with swimming life—aquatic things—rainbow-colored trout and fish brothers—hoping to catch…These rafting days—orange and yellow circles filled with air and noise across a quiet bay.

These are singing days! Shouts and shrieks and whistles—across the harbor call—where wood-hulled ships rest—bell claps—rocking waves and setting sails. Snake twins—those boys—brothers of blood and the eternal bonds of water and of mud.

Water children held above the line—knowledge buoyant—unafraid and free—defeating for the playtime—gravity and restrictions of a drier Earth.

Sunshine—West-turns and slips beneath the sky. Nymphs forgotten—paradise found—Summer’s little ones.

Little beneath the scheme of earth and large beneath the stars. So bright! Those stars! Filling lake—sparkles silence—gems dancing and laughing diamonds…

Tiny—brothers sleep fast and safe within their dreams. And! Father listens—to brief and passing sounds of laughter.’

Do not allow Government to destroy—people’s achievements—their history—their language—their future dreams—happens and people become wind of ashes and gone—They never exist. Genocide destroys Flesh—and so much more than Bone—Genocide destroys Blood Rivers of Life…

And! Beautiful you are…

“Like the empires of the world unite
We are alive
And the stars make love to the universe”…From ‘Empire’ by Shakira Isabel Mebarak Ripoll

Acts of Actions…

43Walk around Village Square…A great man takes his son’s hand and they wander the snow-cover and light-fill places…Trees—huge and Sky—bright. Hillside and just above them—choir call—past songs—of moments and coming days, “What do you hear?” he asks.“Music,” the boy answers…”And what else?” Little children…hear the magic of sound—present and questions are never answers…“What do you hear—Daddy? I hear flapping wings of middle angels and the thunder of snowfall and the twinkling of lights and…you.” he answers.

Just above cloud-fall she drops to Earth without trumpets or warriors or cries or the wailing of terrified folks. No swish—angel wings or the usual thunder just after lightning bolts from sky-to-ground or back again. When angels fly—sound becomes the music of both rapture and fear…Why do arriving angels come in lots of two? Why either soft or hard? Why arriving as a girl or a boy? Are angels of any physical realm saved or seen by the nonsense of non- angels? Why do angels arrive here from somewhere other than here on planet-side-of-heaven? And! How do they cross heaven’s length from where-to-wear and back to where-ever they begin? Tis magic, wizard, dragon, fire, storm, calm, wind, rain and war?

Heaven’s gate is hard to find and many have perished-the-thought and died attempting to pass from star-gate to star-fall of the planet-slide of hell or paradise. Angel is alone–both hard and soft and ready to purpose the reason of her travel and the message she whispers to mysterious magic folk and the very quick or the very dead. Angel—she calls herself and she imagines her image as double self and triple purposed with a silent drum—of butterfly wings and the knowledge of both living and dying before the end of twin-planet sins times fourteen.

Power at the end of wit and the beginning of the rhyme of substance’s cessation. She is—good and evil and her reasons—either a knowing or a complete confusion to those able to see or hear or know or imagine her path from sky to planet-side. She saves a few and a few are lost and those lasting through her visit–survive. No! Angel is good—Witch of spectacular whimsy and crafted stories—often means—magic men—disciples of both Gods and Men. Once upon a moment, Angel does visit—Earth-land. Earth-land—landing is—missing—reasons to be missing the place of promise or ruin. She exists and…She calls to us sometimes and sometimes without sound—we—understand?

From these ridges of snow and ice, horse mounted—Iron Riders watch and wait from a mountain-top. Below the wide valleys of snow and ice covered trees and roads of dirt and rock across the villages and towns and ‘Sity’ scatter—from clearings and pastures and forest—they wait. These are warriors—women and men—armed to war against what requires life-death or more or less. Behind the clouds and dancing lights—planets spin about suns and above—lands—three moons—fill the intervals of darkness and the setting and coming of twin sons. Behind clouds and high above the Riders of Iron and Horses, suns—rise and set and—moons come to walk-dance across the sky.

Iron Riders battle for the love of home and for the happenings of war. They do not fight against what maybe or is not happening or for religion or for the government of destruction. Think about it: Isn’t government—word same—as religion? The days of controlled weather and magnetic storms and the rule of one against many—died times ago. Deliberate had the—One’s creations been and destructive—either planned for or occurring accidentally—because technology happens—with and without—complete control—especially if a ‘maybe war’ requires corrective measures and especially if a ‘maybe war’ just needs to happen. Build it and destroy it and build it over and again or just because ‘we can’ and you cannot win and since you will lose we need to change your thinking or your social structure and remove your past from everyone’s history. We win—we write—you lose—you cobble together what remains from rocks and sand. “Oh well! Don’t understand?—We do!”

Walk! Mothers and Fathers and families are forever—as are people and memories and songs and dances and sorrow and laughter and Life…Life and Dance! Hand-hold and we touch mystery and magic and stop and start—alone with ghost dancers and with us. At ocean’s crest…Breathe the scent-of-twined-together-spark in the harmony of push-touch and the rhythm of twin-strength Life…Touched hearts and eyes wide open…

And! Beautiful you are…

‘You’…by Keaton Henson