Petri Dish Warriors…

1‘The circle safely closed—Tis’ good this Loving Rhyme. Again to be—to see…of loving the loving…of hands joined-to-body moving…of swings and wings and…Spirit-singing and peaceful sighing…Creation—the Witch smile and for this instant within a moment of Time—‘Tis’ good this Loving Rhyme. So! Follow this time—this Twine Re-wind.’

When you are chasing shadows for your next meal—freedom’s whimsey ends. It is a world we inhabit—it is not me and it is not you—Then! What are We…Spying and ‘Brother Guv’?  Nature’s control—uncontrollable—instantly forever and beyond scopes of science and of imagination. Rarely—fairly sized bits of spaced-placed spins—swirl by the twirl of Terra-formed globes of—mother-ships and heaven rips—along the ‘ins-outs’ through—wormholes and folded space—distance short—through tomorrow’s-daze and reaching toward—yesterday’s-today. Gods roar—small voices and the sky wars begin and end as Watchers—on Walkers Hill gather—and record the might and flight of Petri dish warriors and ‘thou shalt not’ killers form time and place—scatter across one thousand worlds of sin and spin—begin and end and then—begin again.

Petri Dish creations appear—to first crawl or redraw—soups of shimmer and microscopic glimmer— and from those mud pots—creations—cover a globe of twirl—along and around fresh or salted or brackish soups—to boat-float about—by single constructions—to ships of destruction—to curse the folds of space-time purpose—with cathedral towns and roundabout stores…Then! How does the Acts-of-Survival—intended-by-life be bound and drowned—revived to-only-die-again? Babble towers—divinity curses—from Volapuk speak—to the Esperanto’s lyric touch and still to more and other and another—ad infinitum—til good is better to best almost and then—back-to-begin—again. Qwerty and AC/DC speaks of—rhythms and rhymes in ‘Yes’ and ‘No’ and still the ‘1’ of life to ‘0’ not and then back to life’s ebb or spread and hacked—back—again to-begin and then-to-end—again.

Words may—too often influence and warp the processes—through how—we know-what-we-know-we-now-know—or almost future—know-what we almost-may understand—sometime—in some-place-in-space—somewhere-in-time…And! All fits—all places—mostly—almost right-writing and writing-right either incorrectly or almost-always finding fit—too and almost—never-quite-writing-right-correctly…So! Write word-speak and text/message masses—via earphone-to-headphone and standing by—that understanding may begin and start again—in one thousand places—through six thousand spaces—mixes with many—impresses a few—and almost—maybe—enlightens one and with many sounds and through the swirl of syntax twirl—the many may forget the few. OK! But still right bends truth-to-left and back again—’til what—may be true is false again and false once truth is back—again.

Riches flow about the words of sound—tongues known and tasted—treasured—accepted and often heard in other spaces-places seen—felled or yelled against gloom—gathers where sunlight is wishing—spaces scattered among stars of reaches—stretches across skies of night and spaces between word sound—and light. Sand and leaves—together speak—rustle—whisper—murmur and moan of death—not found—of life—not known. And! Still—now notions of her away sounds and her quietude. Feathers and Leaves and Sand and Ashes and Seas—silence see—and thunder be—peels across sky and rolls onto shoreline—and skylines—and time. The share of poet-touch and story-spin—of exile’s faith—of disaster’s private pain—as speech native—fails—creative spirit—often maims—creature-speak and often confuses the never-place-of-everywhere.

And! Beautiful you are…

‘DreamCatcher’…by Cusco