“Hey you out there in the cold
Getting lonely getting old
Can you feel me?
Hey you standing in the aisles
With itchy feet and fading smiles
Can you feel me?
Hey you don’t help them to bury the light
Don’t give in without a fight

Hey you out there on your own
Sitting naked by the phone
Would you touch me?
Hey you with your ear against the wall
Waiting for someone to call out
Would you touch me?
Hey you, would you help me to carry the stone?
Open your heart, I’m coming home

But it was only fantasy
The wall was too high
As you can see
No matter how he tried
He could not break free
And the worms ate into his brain

Hey you, out there on the road
Always doing what you’re told
Can you help me?
Hey you, out there beyond the wall
Breaking bottles in the hall
Can you help me?”…by Roger Waters

And! Still the flip-flop shriek—wind sound—slips round—colder spaces between—broken brick corner—and crumbled mortar—time aged and weather worn—and–since-time-began—nature is never fond of vacuum. Crowman stumbles—sandal worn strap—from right side notion—of footwear—broken—a thousand years ago—causes flip-flap noise—skyward shrieks—bombers ‘cross—inside clouds—so thick from sky-to-almost-ground—as to hide nose rounds—fired—as jumps—loud then quietly—as pronounced—as gone… Statues—broken—some scattered round—park-of-lost—times—before the mime’s danced—unbroken and bending to—purpose—unfounded-unknown—or lost with—the rhymes of times—recorded-forgotten—and gone.

Arrives—those machined boxes—machine-sweet and together—in minds of same or alternates—where we twirl—the whirl and call the laugh—or—two—as boxes open and—away we—they separate into—some thing-or-less or—the loneliness of crowd—bridges twin screw moments—of those spaces-of-time— without seconds. And! We—search blood and find–taste good—in mingle-tingle moments—touch-amazing—touch not those—imagined sources of—unnecessary wariness—and one—is another brief—the flashes together spread—the separate into—singularity—no more than once… Feel intimacy—of rhythm-or-rhyme—as touches—speak hides deep—inside the formality—of syntax creep and syntax crawl—where ear-here—hears echoes bury—idiom not—conveyed by—dictionary’s space—between word-speak and why…The share of—poet-touch and story-spin—of exile’s faith—of disaster’s private pain—as speech native—fails—creative spirit—often maims creature-speak—and often confuses—the never-place-of-everywhere. Still! Sweet Witches-of-Creation—smile—womb-spun life—comes and goes—without road-speak and without—interstate shriek…

Twilight—Dawn—departure gates—to swirl through—go-to-spaces—-between places—both here or-there-or-back-again—to hear-to fear-to find—to die or to—live again—in places without time—signs-in-parts—or sums-to-hold-again…Ecliptic twirl—galaxy ‘cross—spaces when composite—forms appear-to-disappear—Serpent speak and Eagle reach—Ophiuchus—holder-or- bold—once again—Quetzalcoatl boys—and—fair Gaia girls—wander star-gates—through and touch-find-found—reaches—useless rhythms and trouble—times. Ophiuchus high stands— above sun—rises-feet-crossed—Galactic wide and planetary—substance filled—from brim-to-rim and back-again…

Our nature runs—with or from—the many or the few…See often through—curved ceilings of doorway—when curved light enters—twenty-one windows round—openings through—to escape places or—leave regions. Still! More spirit than—body proper—’til chemicals—those-of-doubt or-satisfaction body rule—self ending sometime—in time—without reasons to be—except—a rhythm to—complete. We are—the daughters—and—the sons-of-earth—and of—the starry skies. Our history–alive—simple and true—except when—suppressed—through layers—distortion or—flashes of fears and—tears…We are the eternity of spirits—never having—to begin—and—never ending. Such is—the sweetness of life.

“The circle safely closed—the web building starts—the markers of builders old and builders new. Star Guide—folded into original shape— until it is—again required and opened to read and follow—‘cross sky-bridge….Bang-Bang-Bang and let the game begin—again…‘Tis’ good this Loving Rhyme. So! Follow this Time—this Twine—Re-wind. And! While I breathe—I Hope…”

And! Beautiful you are…

‘Hey You’…written by Roger Waters—Performed by “Smooth Jazz All Stars”