Buildings and Lines…

1631“It glittered and it gleamed
For the arriving beauty queen
A ring and a car
Now you’re the prettiest by far

No party she’d not attend
No invitation she wouldn’t send
Transfixed by the inner sound
Of your promise to be found

“Nothing or no-one will ever
Make me let you down”

Kiss them for me, I may be delayed
Kiss them for me, if I am delayed

It’s divoon, oh it’s serene
In the fountains pink champagne
Someone carving their devotion
In the heart shaped pool of fame

“Nothing or no one will ever
Make me let you down”

Kiss them for me, I may be delayed
Kiss them for me, I may find myself delayed

On the road to New Orleans
A spray of stars hit the screen
As the 10th impact shimmered
The forbidden candles beamed

Kiss them for me, I may be delayed
Kiss them for me, I may find myself delayed

Kiss them for me, kiss them for me
Kiss them for me, I may find myself delayed…”

“Kiss Them for Me” written by—Susan Ballion and Peter Clarke

Buildings without prestige? Are structures rich or without form—do they appear—a wealth of shape and of rhythm and rhyme? Often—the eyes of Spirits—active are tiny orbs of specks—flecks of—gold and silver coats many—or layered but still seen—by both beholder and by the blind.  Lines hard and simple—revealing and hidden by few turns and curves. Harmony of sound—clear of body wraps—substance of the—perfection of bone and of muscle. Ice streams descending—long straight lines—from roof angle to—concrete sidewalks. Planes and plain models—streaks of many colors—colored glass—long pass nightfall—and—long out of sight–right?

Civil Layers never completely die…As traditions slip away—layers are forgotten—in time—as are—dances and songs. Touch your lips—finger kiss—yours to mine—time space—moments’ race…And! Silence—careful sight—tonight—as sail catches—spark and runs—to sea—see? What word means—“perfect competition”—and—“optimal allocation of resources”—and— “efficiency”? Perfect competition—is perfect for—a winner—Optimal allocation of Resources—are never fairly distributed…Efficiency costs—somewhere in time—some reason gone—some ration—divine…

Do neoliberals believe-in-truth? While promoting—demoted forms of deregulated—regulations—speculation-in-ruin—penetrating permissive—and pervasive—invasions—of individual greed so powerful—as to completely—dismiss all values—and—the strength of—Collective efforts…Real wages—gone—the influences of Societies’ Unions gone—and a Right—Wrong shift—in Economics—in Politics—in Labor’s market—and in—the Anglo-American—progressive Culture—‘All gone.’ ‘Trickle down’—a damned—everlasting lie! And! Remember—‘there are no Blue Color Billionaires…’ Hey Now! Celebrate Capitalism—when it has become ‘Greed—Sorrow—Inequality—Persecution—Quicksand Power—and—the ‘Real Enemy of—The People.’

The circle safely closed—the web building starts—the markers of builders old and builders new. Star Guide—folded into original shape— until it is—again required and opened to read and follow—‘cross sky-bridge….Bang-Bang-Bang and let the game begin—again…‘Tis’ good this Loving Rhyme. So! Follow this Time—this Twine—Re-wind. And! While I breathe—I Hope…”

And! Beautiful you are…

‘Kiss Them For Me’…performed by Siouxsie and the Banshees

‘Highwayman’…performed by The Highwaymen

Simplicity of Enlightenment…

Log Bench Viewing‘Carnival’

“Well, I’ve walked these streets
A virtual stage, it seemed to me
Makeup on their faces
Actors took their places next to me

Well, I’ve walked these streets
In a carnival, of sights to see
All the cheap thrill seekers vendors and the dealers
They crowded around me

Have I been blind have I been lost
Inside myself and my own mind
Hypnotized, mesmerized by what my eyes have seen?

Well, I’ve walked these streets
In a spectacle of wealth and poverty
In the diamond markets the scarlet welcome carpet
That they just rolled out for me

And I’ve walked these streets
In the madhouse asylum they can be
Where a wild-eyed misfit prophet
On a traffic island stopped and he raved of saving me

Have I been blind, have I been lost
Inside myself and my own mind
Hypnotized, mesmerized by what my eyes have seen

Have I been wrong, have I been wise
To shut my eyes and play along
Hypnotized, paralyzed by what my eyes have found
By what my eyes have seen
What they have seen?

Have I been blind
Have I been lost
Have I been wrong
Have I been wise
Have I been strong
Have I been hypnotized, mesmerized by what my eyes have found
In that great street carnival

Have I been blind
Have I been lost
Have I been wrong
Have I been wise
Have I been strong
Have I been hypnotized, mesmerized by what my eyes have found
In that great street carnival

In that carnival”…by Natalie Merchant

Light fall and darkness—touched street and covered brick—crack and moonless crackles. Colloid collisions—to scented secrets—and motions—without sounds. We are—the kings and the queens—of these streets. This city—is our city. World Spins—with seven moons—two largest—two larger—one large—and three—from small to smallest…All to rotate ’round about—a single sun of bright light—and at distance—blue cast and purple night…Rafters here—sailors of Green Seas—Emerald green—storm’s high—ten foot crests—and set-way-back—stone homes—and shingled stores.

On a semi-dry ‘kinda—gentle cool evening—when sun dip—quickly becomes night slip—darkness folds into half moon and Harvest time begins…Shift then—habits and ways—allowing for empty space—of balance—of restore. Darkness seeps—slowly creeps—into day—end bright…Night fill—lighted places—and turn-on bulbs—share grays—shades many—always simulate and always fail—to cheer the sun. Our lives are fluid—liquid pour—consume—replace—replenish—and then—recall—someplace else—some other—time—or—some other—rhyme. And! Rain does pour from sky—onto roof—through spirals both—short or long—gutters or just eaves—from leaves’ soak—or arcs—golden tricks of night light—inside—as outside water—splashes ground—collects—sidewalk—flooded cracks—into pools of wet—and of—mud carvings—and pavement soaks.

Still here—beneath these heavens—our sea—swirl-twirls and we hear—whale sing-song our mother— into-necessary-sleep. Whale—sing-songs—the heating of blood-self—until warming is—non-fear. She rises from—emerald seas and from—black sands—where tide pulls current— and—lines-of-moon-light are perfect—and—disappear into the—dustless night. Now! Touch— the Dancing One—the Witch of life—and taste—her creations…Goddesses do create—Heavens-Earths and Moons-Suns—while passing—Spirits-to-flesh—and back again…Spirits do form—and substance—is free… Correct notes!—Pipers of those—silver flutes—held ‘gainst heart ‘beeps’ strong—as fair—seafarers often pass—others-into-light—as others ‘cross— star-streams-to-suns—above sea and beyond sky…

‘Wishing you days of Gentle winds—Soft curves and Wonder’

And! Beautiful you are…

‘First Light’…by Lindsey Stirling

 

‘Carnival’…by Natalie Merchant

 

Laws-To-Sell—Compel…

imgprix.com

imgprix.com

Do we—‘Learn’—to use our own—free will to do—what Laws—expects us to—do? How are the differing views—values and expressions—the hopes and beliefs—of ‘common folk’—found and drown—round ‘quitting time’—treated—completed—continued and amended—and silenced by ‘rich and powerful folk’—financed singularity—at birth—medicine’s front door—at school bells ringing—turning outward-in—free will—printed freedom—and outside thought—bent-broken-borrowed-lost-stolen—and lost inside—those white spaces between black ink and rhyme.

And! Government’s attempt—bureaucracy unkempt—silence speaks—dissociated reeks— difference cannot conform—still quiet—whispers-tipsters—non-conformity—forms-reforms—for awhile—then dies–then born—borne again…The shackled ones—the voice of whispers—more often—than strong—and still the—force of believing—hopes—dreams-of-dreams-to-be—for you—for me—as we—bend stolen—force circles—square—upside down—triangular word-forms—to line front—row deep—peoples’ steep—not freedom’s song—wrong—and different views—all right—tonight!

Have ‘we-the-people’—been reduced through the use—of different styles of—repression and by another—birth-song of propaganda right-to-left—or less—by ‘hurling’ those same—shape shifting lies—toward receptive walls—or through fear—silenced. Slogans and words—‘right-fight or-left right’! Walls built—world’s tilt—from rain-to-silt-to-mud and either—rivers’ run or islands—rise again…”God and Country First”—people make and people take—no gain—just pain—red blood flow—children grow—adapt together—or cease-to-be—when being-is-seeing—together is ‘yes-way’ and ‘apart—never-ever are people too—strong and usually wrong.

Protection—must not—always equal servitude? When—brain knows—humanities’ finest moments…Love—Peace—Touch—and—Trust…No charges or gains or losses—Flashes between the realities—of reality—and those sweet spaces—just an instant prior—then lips touch—co-mingled breath—warms the cold—evening air. A rational—response—to rational—insanity. A second—when no one stares into empty space—without—noticing starlight’s—star bright—and—star ships passing between—light-speed and arrival—silently appear. When everyone—everywhere—and—in-all-places— between skies—ground—realize—what we do not have—does not mean—anything… Feeling color—through both eyes—and—with our fingers. Hearing—a lover’s voice—touch our heart— before—substance becomes words—of meaning-or-reason-or-another—notion. When silence—so—completely fills all senses—with thunder and noise—and—music and notes—chaotic—or symphonic—simplicity—as duality ceases—and singularity—melts into universal polarity—and— truth.

Now! Drink—a Bourbon ‘kinda’ whiskey—at a Ginger colored—Inn…Dark-and-heavy—moon shine—long-way-off—touch skin-wind—begins-to-end–tonight. Begins to end—again…Life does open windows—with no views…donchaknow?

And! Beautiful you are…

‘Shout’—Tears for Fears

 

‘Everybody Wants To Rule The World’—Tears for Fears

When Flowers—Turn-Into-Glass…

33“All we had was Simon Finch, a fur-trapping apothecary from Cornwall whose piety was exceeded only by his stinginess. In England, Simon was irritated by the persecution of those who called themselves Methodists at the hands of their more liberal brethren, and as Simon called himself a Methodist, he worked his way across the Atlantic to Philadelphia, thence to Jamaica, thence to Mobile, and up the Saint Stephens. Mindful of John Wesley’s strictures on the use of many words in buying and selling, Simon made a pile practicing medicine, but in this pursuit he was unhappy lest he be tempted into doing what he knew was not for the glory of God, as the putting on of gold and costly apparel. So Simon, having forgotten his teacher’s dictum on the possession of human chattels, bought three slaves and with their aid established a homestead on the banks of the Alabama River some forty miles above Saint Stephens. He returned to Saint Stephens only once, to find a wife, and with her established a line that ran high to daughters. Simon lived to an impressive age and died rich”…From “To Kill A Mockingbird” by Harper Lee

  • Wondering how disease (plague-times) affect civilizations—their rising and their falling…Rome (circa–AD 165)—passed through a plague-time called ‘Antonine’. This illness, was responsible for a decrease of approximately 30% of the Roman population by (AD 180)…This ‘Civilization Killer’ recorded as being carried by the Roman Army from the Far East—also destroyed most of the military…
  • Wondering if—Better the devil you know than the devil you don’t…Wondering if control is illusion? Will—Democracy become a dictatorship—‘as we in-fear’—watch these motions and movements—toward ‘Martial Law’…
  • Wondering why Believing in—Open Boarders-Amnesty-Immigration-Multi-culture’ism-Freedom-for-Everyone and Life is called being an ‘Elitist Socialist?’ Wondering why— America’s Constitution claims “That All Men Are Created Equal” and America’s Slaves built the White House?
  • Knowing that—‘We’—the People—must never again be slaves of thought or owned by the richest of Slavers. Redistribute the Wealth-of-our-World—and Wage Slavery ends…And! Blue- Collar-Billionaires’-do-not-exist!

Ending a this-or-such-stuff-or-thing—things gone and still remembered in hazes and clouds—sometimes thick or sometimes thin—or remembered when those reasons for ‘tick-tock’ recall is not ‘at all’ necessary. And! Still memories along with the knowledge of futures’ days or yesterdays’ stop-starts—sometimes wisdom stumbles—flash words appear—and sometimes are transposed from wiggle-squiggles—to-words-to-letters-to-numbers-or-other such scratches—black-blue ink—into shapes—on white paper. Small square boxes—rows across and stacked—checkerboard-graphic-white tiles—framed-square—first sides perfect—then added rules of thickness rectangles—jumbles-or-mumbles of thought—frowns and smiles. The confusions of simple symmetry—good boggles—good toggles—mind flashes-in—rhythm or rhyme. If one stares toward glares of graph motions—of rectangles and squares—of ink and white spaces—will one—feel-free-fall—and sometimes—just disappear?

A spot of ship—quick-to-appear—touch-down and secure—no sounds—no noise—just-here-gone and back again. So often completed and always—the same motion—the same silence—the exact drop-speed-entry-and stop. However! While content same remains—the extra mix-of-touch-kiss-score and life—end-in-the-time—taken to breath-in—Earth’s night wind and Life-to-begin…Wondering why—survival’s song—may also stop—with a single note—not pitch—not harmony—nor—sounds beyond—a single note? Chorus or Choirs not required—donchaknow?

And! Beautiful you are…

‘For What It’s Worth’—Buffalo Springfield

‘Sunset Purples’…Tony Godsey Band

Judith Point And Ice Cream…

IMG_0270Discover time! A little step back-to fro-to-forward and back-to-beginning—down Ocean Road ‘cross Old Ocean Road—and on toward Point Judith Light House—Judith Point and Camp Cronin Fishing Area…Just uphill from Iggy’s Doughboy & Chowder House is—a place—Aunt Carrie’s Ice Cream Shoppe (childhood—little guy—more ice cream than—a sandy-salty-sea-foamy carpet—or—great gray hulks of steel—a meal of—Nathan dogs—mustard and bun—just right—chips and Aunt Carrie’s—one scoop white—and one scoop chocolate without napkins and sticky hands-on a warm summer eve.

Adapts are Martian Blood—always upright—since time began and now—hurtle-turtle inside moon— and—outside of Earth borne—feet-of-four—and starting—a hell ride—world twirl—an adapted life. Launch—ride an Ark—massive wings and things—strong-fast-silent often wrong and never—incorrect—a change so small—that shadows tall—are gone and Martian’s world—never whirl—never forgotten—in curious minds—of New Men in—another—other times. Storm of sunshine began—late in the day of October 26th…Long strings—tendrils tall—licking sky for ten million miles—giant—great things-to-jam—slam space and homes from Mercury gone—to Venus and—Sun worship comes within the reach—teach that shine works—shine lives and light often kills. 

Seen Before or Used Again—OK?

Lives—gathering together and—strength—of one or two or many more—than them or us—or we—be—power of scatters—no rules followed—no moral folly—or man rules—called God speak…For those ‘world words’—are songs of death—of control—of fiction—to suffer swift—lies against Spirit—Speak and Life. Women Love…Men Love…Love is Perfection—is Touch—is Peace—is Spirit—is Song …Sweetness—‘gainst canvas—lines and circles dance—and—soft songs play—and—laughter reaches—diners’ corner…Open doors—a call to come— inside—secrets of ink—motions and canvas—wet with colors—scents of orange—of green—of blues and browns and yellow—perfume inside—night air—and—dare and wear and fare or—future moments—again without—layers of walls—climbed and discarded…And yes! With you—I do ‘taste beauty.’

Sunshine’s understanding—manning star ship search—deeply go—inside heated globes—round source of death-life—life-death—and—gravity—things-holding-wings—globes of mother-ships—many times ‘cross Universes—both small and great—combined with magic glue—crystal twirls and witches’ swirls…And! Equations speak concisely—formed from clutter speak—into quantitative models—derived and survived from—fury storms and qualitative impressions. Weigh—the Ways-and means—often far before—human thoughts—mediate the distances among—perceptions—laced biochemically—senses five—to reach six-seven-or eight—and reach—hand stretch—inside sunlight’s core—not to feel the burn—but just-to-learn…

Teach-speak now—and explain—a cosmic giggle-wiggle—as slashes—dashes—dots and lots—are only heard and never seen—have been ‘round—about this universal gash—and back again. Seek-the safety keep—without that—number sleep—and twin-spin—hieroglyphic’s deep—into—poetic speak—that trance and dance—to learn—to turn and—to almost burn—again…Vacuum’s void—avoid—an empty space—as often counting—does come alive—dusts-of many—particles—do swirl or twirl into shape—into mass—from nothing-into-something—then into unseen—not seen and also—never was—or will ever-be again.

And! Beautiful you are…

Peace Circles and Wind…

Dion_Laurie Records

‘Abraham, Martin And John’

“Anybody here seen my old friend Abraham?
Can you tell me where he’s gone?
He freed lotta people but it seems the good they die young
You know I just looked around and he’s gone

Anybody here seen my old friend John?
Can you tell me where he’s gone?
He freed lotta people but it seems the good they die young
I just looked around and he’s gone

Anybody here seen my old friend Martin?
Can you tell me where he’s gone?
He freed lotta people but it seems the good they die young
I just looked around and he’s gone

Didn’t you love the things that they stood for?
Didn’t they try to find some good for you and me?
And we’ll be free
Some day soon, it’s gonna be one day

Anybody here seen my old friend Bobby?
Can you tell me where he’s gone?
I thought I saw him walkin’ up over the hill
With Abraham, Martin, and John”…Written by Dick Holler

Sea–side level and sand away from beach mist—fog scatter and clear sides—tucked along the bay. Hill high and east watch—Look Valley deep—as seep fog—softens light—from holler cabins—lined close—not circled—but—throw stones close…Too late for flowers now—too warm for dying grass—and leaves to fall—catch ground and turn brown. Somewhere between—cooling shines—sun mixed air—and breath—into—not light—and night. Before Moonshine Clear—nearby fire shine—bright sprite dance—’round about—where hollers begin—and sunlight’s end.

In Marxism and  Psychoanalysis—hidden somewhere between—word scare—twin modes—both radical pairs—are standing—understanding and constitutional—reconstruction. Stress levels—high—both granite hard—from—shiftless sedentary shifts—begin mountain curves and valleys’—trenches from park benches—bus-ride thought—the sought and bought—fought—often taught and life made-to- paid—and—lived once—again. Features’ surface—once or twice—and over-to-over regain—again begin—social’s abnormally—normal speak—behavior tweak—pattern’s seek—reek just below—perceptions of analogous penetration—and just above the surface—of a long—last phenomena…End products borne—and born from workers’ womb—society’s tomb—and necessary—necessities of the—we-us-them-those—needed—blended—desired—recalled—rejected—injected—and still forgotten—while watching—front-facing—backward—gathered mirrors and—cross winds—of rhythms and rhymes.

Fire—Blue light—‘a sort of’—start-stop—dancing—yellow streaks—red coats and journey starts. Screaming—moons toward—light and still—horses run Martian Ridge. We are children of those—salted seas and spirit trees. And! Clouds often look for—skies. …Hollow men—are robots without—spirit-animation-without ‘ghosts in the machine’…We be not—holy hollows—we be—imagine—imagination—beyond pushes of strengths—we dance—baby birthing—powerful protection and iron love—nothing stronger than love or better than together songs and the unification of eternal spirits. Butterfly—kisses—wishes made—wishes chant—and grant—soft wings and slips and flits— ride currents of breeze—so slight—against soft skin—often switch directions-of-fancy—will by—choice or wearied of time—trips to beginning and endings of time shifted—drifted and lifted and forever gifted—to lines of—crafted beings—being for  moments—above moonlight and—day—bright. Space between lines—of coded-cold-color—fine word pour—from puzzle—one or two—twins in-step—and reasons to-be—to-see special—twin-twines—through tunnels and into the night.

Launch now—code filled balloons both alpha and numeric—fluid—lines of rows—switch—crosses—across drops-of-lengths—between space and press and touch—and—a distance—between winter’s flakes and snow. While dancing dream’s mind-merge—spirit winds a clock of choices—known by forgotten—dust-swirls—desert winds and salted seas—as foam merges with sandy shores. Rain bounce—by moonlight—against a million miles of asphalt streets—where tiny sprites of weeds—meet—push through—to break the symmetry—of path—life once again—is the birth of nature’s chaos—and nothing is as natural—as creating—-creations. Life’s power is—eternal notions—of—goddesses and gods—witches and warlocks—wizards and shamans—and—the blood-bond of women and men—creatures-features— and the dynamics of Love. Remember! Love is sex-less—without form—without flesh—and—-when shiver—shapes humanity—love—is touch—magic required—as beings require air—mixed—blood red.

And! Beautiful you are…

‘Abraham-Martin And John’…performed by Dion

 

‘You’ll Never Leave Harlan Alive’…performed by Ruby Friedman

 

‘Closer To The Heart’…performed by Rush

 

The Gentle Ships of Beren-Pass…

Illinois Central_743

The City Of New Orleans Lyrics

“Riding on the City Of New Orleans
Illinois Central, Monday morning rail
Fifteen cars and fifteen restless riders
Three Conductors; twenty-five sacks of mail
All along the southbound odyssey – the train pulls out of Kankakee
And rolls along past houses, farms, and fields
Passing trains that have no name, and freight yards full of old black men
And the graveyards of the rusted automobile

Good morning, America, how are you?
Say, don’t you know me? I’m your native son
I’m the train they call the City Of New Orleans
I’ll be gone five hundred miles when the day is done

Dealing card games with the old man in the Club Car
Penny a point – ain’t no one keeping score
As the paper bag that holds the bottle
Feel the wheels rumbling ‘neath the floor
And the sons of Pullman Porters, and the sons of Engineers
Ride their father’s magic carpets made of steam
And, mothers with their babes asleep rocking to the gentle beat
And the rhythm of the rails is all they feel

Good morning, America, how are you?
Say, don’t you know me? I’m your native son
I’m the train they call the City Of New Orleans
I’ll be gone five hundred miles when the day is done

Night time on the City Of New Orleans
Changing cars in Memphis Tennessee
Halfway home – we’ll be there by morning
Through the Mississippi darkness, rolling down to the sea
But, all the towns and people seem to fade into a bad dream
And the steel rail still ain’t heard the news
The conductor sings his songs again – the passengers will please refrain
This train got the disappearing railroad blues

Good night, America, how are you?
Say, don’t you know me? I’m your native son
I’m the train they call the City Of New Orleans
I’ll be gone five hundred miles when the day is done”…written by Steve Goodman

Worlds spin—axis tilt—and—how we—matter-to-the-matter—as side-way twirls—the planets’ whirls—and—nothing makes them—straight—again…And! ‘Cross channels dotted—to lots of liquid black—lake fills and streams covered once—grassland—now trenches of oil—stretches from eyesight—until the watching ones are—unable to see—further. “Good night America”—we are all still right here—right now—these minutes in time—for no reasons—with all our rhythms and all our rhymes…And! We are all Immigrants—everyone—passing through age-long mysteries—masterly recorded or unrecorded with—dots and dashes—in time…

Just caught ship outbound—sun-ward toward third spin—shaped seas and peaks almost hill-high and wide as desert cross—pause—to wait and back again…Long way home—but getting there. How must this ‘long wind’—keep winding through sharp curves and peaks— too high to climb—when going home sometimes runs—ruins of circles…Following smoke—wisps or—sounds of sing-song-choir—along the line—where sea-meets-sea and sky appears—above forgotten shimmers of—flash—stretched beyond—eye watch and body wait. Walk upon these—salty waves—of that dead-sea—sing melody’s song—and disappear—into mists and sea—sounds and other dawns. Those little matters? Matter-less—Cease then gone—again.

Money short—and—without weapons—gather folks wise—to change histories’ futures—with few resources of tradition—warfare—to confront and destroy—the inequality of equality freedom—slave wages—with-out—to plentiful again…And! Maybe a little ‘more’ short-of-time do succeed in alternating—alternatives—and reversing certain terms—of public debate—to shift and to change a—certain—course of politics—without violence—and—without passivity…Obsolete not—nonviolence—is never irrelevant—whether—formed—from village speak—or global motions—’tis—strategy for confrontation and victory—without swords drawn— or thunder-guns’—final recoils…And! Creating a resistance movement—without blood’s shed—is solution strong—to solving—the current global crisis of—climate’s changes and miles-wide inequality—donchathink?

Never despair—nor accept inequalities—for wealth is not created—to be collect by the few—for wealth must be shared—by everyone—everywhere ‘cross this planet—on this sweet sustaining mother-ship—we gentle ones—- call our own—sweet—Earth. While recorded history show us—inequalities in wealth and the capacity—to create wealth—‘cross centuries—patterns of imbalances have changed and altered and damned our human majority—to accept nothing-from-the-blood-and-the-sweet-sweat—of genuine labor—without apparent nor equal reward. From—nations—to between nations—‘balanced income’—is a ‘never-ever’ reality—for us—the outside worlds call ‘those species—of humanity’…Then—‘Never-Ever’—react to these—inequality-of- qualities with—absolute—resignation…People Strong—Revolution changes everything—and through—nonviolent means—while never politically convenient—often alters—imbalance.

And! Beautiful you are…

“City of New Orleans”…performed by Arlo Gutherie

 

“Home”…by Unsun

 

 

Flip-Flop And Vacuum…

4583“Hey you out there in the cold
Getting lonely getting old
Can you feel me?
Hey you standing in the aisles
With itchy feet and fading smiles
Can you feel me?
Hey you don’t help them to bury the light
Don’t give in without a fight

Hey you out there on your own
Sitting naked by the phone
Would you touch me?
Hey you with your ear against the wall
Waiting for someone to call out
Would you touch me?
Hey you, would you help me to carry the stone?
Open your heart, I’m coming home

But it was only fantasy
The wall was too high
As you can see
No matter how he tried
He could not break free
And the worms ate into his brain

Hey you, out there on the road
Always doing what you’re told
Can you help me?
Hey you, out there beyond the wall
Breaking bottles in the hall
Can you help me?”…by Roger Waters

And! Still the flip-flop shriek—wind sound—slips round—colder spaces between—broken brick corner—and crumbled mortar—time aged and weather worn—and–since-time-began—nature is never fond of vacuum. Crowman stumbles—sandal worn strap—from right side notion—of footwear—broken—a thousand years ago—causes flip-flap noise—skyward shrieks—bombers ‘cross—inside clouds—so thick from sky-to-almost-ground—as to hide nose rounds—fired—as jumps—loud then quietly—as pronounced—as gone… Statues—broken—some scattered round—park-of-lost—times—before the mime’s danced—unbroken and bending to—purpose—unfounded-unknown—or lost with—the rhymes of times—recorded-forgotten—and gone.

Arrives—those machined boxes—machine-sweet and together—in minds of same or alternates—where we twirl—the whirl and call the laugh—or—two—as boxes open and—away we—they separate into—some thing-or-less or—the loneliness of crowd—bridges twin screw moments—of those spaces-of-time— without seconds. And! We—search blood and find–taste good—in mingle-tingle moments—touch-amazing—touch not those—imagined sources of—unnecessary wariness—and one—is another brief—the flashes together spread—the separate into—singularity—no more than once… Feel intimacy—of rhythm-or-rhyme—as touches—speak hides deep—inside the formality—of syntax creep and syntax crawl—where ear-here—hears echoes bury—idiom not—conveyed by—dictionary’s space—between word-speak and why…The share of—poet-touch and story-spin—of exile’s faith—of disaster’s private pain—as speech native—fails—creative spirit—often maims creature-speak—and often confuses—the never-place-of-everywhere. Still! Sweet Witches-of-Creation—smile—womb-spun life—comes and goes—without road-speak and without—interstate shriek…

Twilight—Dawn—departure gates—to swirl through—go-to-spaces—-between places—both here or-there-or-back-again—to hear-to fear-to find—to die or to—live again—in places without time—signs-in-parts—or sums-to-hold-again…Ecliptic twirl—galaxy ‘cross—spaces when composite—forms appear-to-disappear—Serpent speak and Eagle reach—Ophiuchus—holder-or- bold—once again—Quetzalcoatl boys—and—fair Gaia girls—wander star-gates—through and touch-find-found—reaches—useless rhythms and trouble—times. Ophiuchus high stands— above sun—rises-feet-crossed—Galactic wide and planetary—substance filled—from brim-to-rim and back-again…

Our nature runs—with or from—the many or the few…See often through—curved ceilings of doorway—when curved light enters—twenty-one windows round—openings through—to escape places or—leave regions. Still! More spirit than—body proper—’til chemicals—those-of-doubt or-satisfaction body rule—self ending sometime—in time—without reasons to be—except—a rhythm to—complete. We are—the daughters—and—the sons-of-earth—and of—the starry skies. Our history–alive—simple and true—except when—suppressed—through layers—distortion or—flashes of fears and—tears…We are the eternity of spirits—never having—to begin—and—never ending. Such is—the sweetness of life.

“The circle safely closed—the web building starts—the markers of builders old and builders new. Star Guide—folded into original shape— until it is—again required and opened to read and follow—‘cross sky-bridge….Bang-Bang-Bang and let the game begin—again…‘Tis’ good this Loving Rhyme. So! Follow this Time—this Twine—Re-wind. And! While I breathe—I Hope…”

And! Beautiful you are…

‘Hey You’…written by Roger Waters—Performed by “Smooth Jazz All Stars”

Sea Salt And Twine…

744“I counted the letters. There were exactly a hundred of them. I thought this must be important. Why should there be a hundred letters? Haltingly, I tried the word aloud. It sounded like a heavy wooden object falling downstairs, boomp-boomp-boomp, step after step. Lifting the pages of the book, I let them fan slowly by my eyes. Words, dimly familiar but twisted all awry, like faces in a funhouse mirror, fled past, leaving no impression on the glassy surface of my brain. I squinted at the page. The letters grew barbs and rams’ horns. I watched them separate, each from the other, and jiggle up and down in a silly way. Then they associated themselves in fantastic, untranslatable shapes, like Arabic or Chinese.”…from ‘The Bell Jar’ by Sylvia Plath

Lengths—knotted-note—brine soak and rope—twists —candy-cane twines—without white-reds—color dead—dark from baked-suns—and—sea-salt’s—rhythm and rhyme—over and under—time. Sometimes—the timing—of dancing words—seashells and wind—dusting shorelines—rhyme. Sometimes—V-shape flights—great shadows bound—northward—toward stops and starts—marshes of Horicon—and then again—until touchdown is Home. And! Great ships—straight lined—from—dock-safety-to-sea—tide-high-be—and free—bound southward—toward sea-wide reach—below right beach—and around the African Horn or into—the Orinoco Flow…

At time same—Starship starts—slow move-motioned—straight lined—from safety slot—tucks of—home port—gentle slid and simple ride—Year’s light-race-space—outbound-to-leave—blow leaf reach—and—careful teach—that travels’ dust rush—touches—light winds—riding shores—here-and-there—and everywhere—skies beneath—the far above—heaven’s cross winds—light’s speed or lesser sails—‘star-bright—or star-light—down Nebraska’s—highway—sky-way—before dawn’s—misty arcs—or Denver’s distance—night-light…

She said—Scorpion shapes—Physics common reach—teach—uncommon words—boundless twist—of honest computation—manipulation—contrived—to derive common wisps-of-wisdom—exacted—reacted-contacted—rejected and projected—twists boundlessly—and melded into simple sense—and corrected logic…Paradigm shatters—whisper-matters—while sails—ships of storm’s tatters—up righted-ignited-provided-decided and once-fears now tears—along—with seed sowing—acknowledged knowing—either real or almost correctly—forgotten—and then remembered.

Sunshine’s understanding—of star-ship’s search—deeply go—inside heated globes—round sources—of death-life—life-death—and—gravity—things-holding-wings—globes of mother-ships—many times ‘cross Universes—both small and great—combined with magic glue—crystal twirls and Witches’ swirls…And! Equations speak concisely—formed from clutter speak—into quantitative models—derived and survived from—fury storms and qualitative impressions. Weigh—the Ways-and means—often far before—human thoughts—mediate the distances among—perceptions—laced biochemically—senses five—to reach six-seven-or eight—and reach—hand stretch—inside sunlight’s core—not to feel the burn—but just-to-learn…

Teach-speak now—and explain—a cosmic giggle-wiggle—as slashes—dashes—dots and lots—are only heard and never seen—have been ‘round—about this universal gash—and back again. Seek-the safety keep—without that—number sleep—and twin-spin—hieroglyphic’s deep—into—poetic speak—that trance and dance—to learn—to turn and—to almost burn—again…Vacuum’s void—avoid—an empty space—as often counting—does come alive—dusts-of many—particles—do swirl or twirl into shape—into mass—from nothing-into-something—then into unseen—not seen and also—never was—or will ever-be again.

Lives—gathering together and—strength—of one or two or many more—than them or us—or we—be—power of scatters—no rules followed—no moral folly—or man rules—called God speak…For those ‘world words’—are songs of death—of control—of fiction—to suffer swift—lies against Spirit—Speak and Life. Women Love…Men Love…Love is Perfection—is Touch—is Peace—is Spirit—is Song …Sweetness—‘gainst canvas—lines and circles dance—and—soft songs play—and—laughter reaches—diners’ corner…Open doors—a call to come—inside—secrets of ink—motions and canvas—wet with colors—scents of orange—of green—of  blues and browns and yellow—perfume inside—night air—and—dare and wear and fare or—future moments—again without—layers of walls—climbed and discarded…And yes! With you—I do ‘taste beauty.’

Again to be—to see…Love-the-loving…Hands joined-to-body—dance…Of swings and wings and—Peaceful sighs and Spirit Sings…Creation—The Witch smiles and for instants—within this  moment in Time—‘Tis’ good this Loving Rhyme. So! Follow this time—this Twine Re-wind.

 And! Beautiful you are…

‘Nothing Else Matters’…Metallica