Creates An Encounter…

Love Me Again

“Know I’ve done wrong,
Left your heart torn
Is that what devils do?
Took you so low,
Where only fools go
I shook the angel in you.

Now I’m rising from the ground
Rising up to you
Filled with all the strength I found
There’s nothing I can’t do” …by John Newman and Steve Booker

Hollow is the dismal man. Dark everywhere eyes must see and change where spirits be; a shape of things started, and races done. Blue light fires dance and yellow streaks find sky, and shrieking moons shake where gravity drag is rare and above, clouds often look for skies. This house is quiet and moments ago those leaving sounds stopped. Hollow man is robot shaped, sans spirit simulation and no ghosts’ twirl within his machine. Choices end as decision dies. Energy vibrates when spirits move ‘cross heavens and earths. And! Many spaces inside lines of coded rhythm and words pouring from a bewildered one or two or twins in-step without reasons to be or motives to discover additional avenues within tunnels and venturing courses across assorted lights.

Lucky we be not Holy Hollows. Understand imagination and beyond momenta of strength, the dances of baby birthing and powerful protection and the iron resolve of an iron love. Nothing stronger than devotion; or better than together, sing-song choirs and the fusion of life-forces. We are children of these salty seas and characters unified. We are the daughters and sons of earth and of the starry heavens. To hold and touch; too much, no! And! Forever is never long enough? The sweetest Dance, indeed. Together we be, for without love there is no peace. So! Surf waves crashing shorelines and discover Ghost Gardens near space-place center, where home is one planet east of sunlight’s door and along ridges of deep space in sky’s silent fog. Footprints spread across one trillion jumps of space teeming with twining twinkles and a trillion ground-bound souls.

Gravitational Lensing: “Light around a massive object, such as a black hole, is bent, causing it to acts as a lens for the things that lie behind it. Astronomers routinely use this method to study stars and galaxies behind massive objects.” The size of this ‘whirly-twirly’ may be both, big and small. An immense entity may bend the ‘space-time’ continuum just as a heavy object positioned in the middle of a trampoline, presses downward on this composition. Anything smaller often rolls around the edge of this simple-dimple and spirals inward toward the larger body; dragged inward bound, as the gravity of all planets attract rocks swirling in space.

Life is the antithesis of order. Animation is symmetry without structure, save winds and rains and those foolish storms of chaos and belief. Go figure the here or the now and still; narration is not achieved or fashioned apart from the directors of spins and twists and by the thrill of the lie. Or! Believe in the smile of Leonardo or the Lady’s laugh or the chatter of countless viewpoints or the convictions of our many hearts. It is our nature to run with and from the many or the few. We often see through the curved ceiling of high doorways only when curved light enters tiny windows.

Is societies’ perspective of behavioral aberration a result of deterministic qualities of controllers or the eat-do-not consume behavior dependent upon economic conditions and the fragility of physical conditions? Is sharing; a conscious choice, a group survival dynamic, a desire to belong, or a non-physical reaction? Isn’t social construction a further strength of spirit and the power of individuality? We are the daughters and sons of earth and of the starry heavens. Our antiquity is animated! Our history is simple and true unless suppressed or distorted for unnecessary incomes and the perversion of affluence. We are the eternity of spirits, never beginning and never ending. Such is the sweetness of life.

And! Beautiful you are…

‘Caribbean Blue’ — Eithne Pádraigín Ní Bhraonáin

‘Under The Bridge’ — Red Hot Chili Peppers

Walker Places—Walker Spaces…

Light Fall and Darkness touches street and covered brick-crack and moonless crackles. Colloid collisions to scented secrets and motions without notions. We are the Queens and Kings of these streets. This ‘Sity’ is our City.

              The Walker is a silhouette pushed low beneath Grand Moon rising and carved carefully ‘cross sky too close to be real and too real to be proximity’s cost, close to-shapes-to-shift-shape and nearer to buildings tossed across landfall along sea-line to skyline. Tide comes in, evening time and changes along season’s alteration same as sunrises and sunsets and shadows play beneath twin moon season with splashes of textured cloud color or star twinkles too distant to notice or too close not to catch eye when noticed in brain as spirit touches at the same time.

The Walker glides across a jumble-tumble of brushed footholds fashioned by rainwater visible; as digging, once moved dirt above rock faces and dragged these weighted ones from place to necessary place for buildings built or buildings removed-restructured-replaced or obliterated. Needed things at needed times where locations were homes and buildings-controlled landside. And! Little killer medications be, only notions of Lizard Kingdoms where the notions of you ‘peel’ums’ accessible and needed from the glory of car-trunks.

She is a Walker Warrior and claims the Bridge above the ruins of ‘City.’ Below the places of spaces, once a great tangle of yards and rails carried the price of commerce commercially to and away and beyond her bridge and dirty sea ships sailed toward one another. They bounced the line; black shadows, slowly creeping beneath an injured sky. No wind! Masts no sails. Crude! Not fueled cold furnaces and boilers empty drums with warm air. She now adjusts eyes and turns and follows silent ships passing one another. They ride the line with no wake. They do not disturb the oiled sea or change silt-less shoals beyond an invisible channel. She watches and waits for their return.

She forgets to breathe. Fog horns moan and moan again just within cones of hearing an evening rare without fog or mist. Held inside, air rushes into throat and through her nose and mouth. Sea odor and her eyes tear. Bridge time is fine and darkness safe. She searches sea. She swears the line has moved closer to shore. And! Those ships are gone.

            We shift into objects of alternative daylights with the accepted expectations of extraordinary flashes of original thought and lights of magnificently creative creations through perceptions of flashing preconceived originality and congested repeaters across a wondrous land of sugar and cinnamon-spiced tea-or-coffee-or me-or-you-or-us or…In the becoming of an impression immortally important and into legacy’s realm repeated and recalled and retweeted we ‘amen’ to both; the previously consummated and the just about to transpire!

Ghost clouds block moonlight as they race clouds across the early morning sky tucked somewhere between dawn and night. And! What is the color of souls? In these dreams there be gods in this place where now only spaces remain. So! Come to Cloud early in transition time and seek flash-ride to spiral and skip into framing time.

These Memorial Gardens are filled and overflowing and encompass many miles. Commons frame these gardens. Statues cover these parks. Here are sacred places and areas and spaces and graces where families gather and depart.

Ashes-to-ashes and dust-to-dust-new-ways-to-win—we must be us!

And! Beautiful you are….

 

‘Can’t Find My Way Home’ by Steve Winwood Performed by — Rachael Price & Chris Thille

 

‘The Other Side’ by Ruelle (Margaret Eckford)

Borrowing From Well Oil And Rust…

“In the shadow of the steeple I saw my people
By the relief office I seen my people
As they stood there hungry, I stood there asking
Is this land made for you and me” …by Woody Guthrie

Along Martian Ridge—one line—eye stretched far—once was—a stutter of thorn—then throne—then grain—then throne—then repeated—until distance—failed seeing and sight disappeared— when ridge—merged sky—and—matter dropped—from surfaced rust. And! On these staggered thrones—Writers’ names etched’—crystal tags—attached—along the top-front—of every throne.’ Round-about—pinpricks and—holes into space—race the flights—of gulls ‘cross sky—where ending—starts—and reason begins…We do—remove those ‘for granted’—blinders’-of-right-sight—and often skyward—search and find—light…Wormholes—cosmic cross—universes—near and far—and still ‘we’ see—the vast—of power blast—possibilities—of relativity’s—loopholes—and just hope-know-now—‘warp drive’ may—span distance ‘cross—space—time wonders—wandering about—wilderness—speak—‘til speed—crease—cease—and earth-lock—unblock—free—‘childhood’s end’—and into space—we—seek-creep and star-child begins—again…

A little Galaxy up line—along ridges circling—the ‘Giants of Milky’ at angles right—to the main disc of stars—containing everything—even a Sun—of our shines—not scattered at random—but—ordered and held together—a swarm—by a cosset halo—of matters-dark—rarely seen—but always present…And! A well-stocked mind—is never bored—donchaknow?

World begins—green light, blue corn stocks—stacked across—giant ridge—five hundred miles and stopping—just because—height stops—and sky—begins. “Tis reach—to stay and say—this place is—climbing high—growing large—from spinning barge—‘cross this—sky bright and—eternal night…Everywhere snow—large flakes and small—swirl ‘round this alley wide—middle dark—to light muffled—both ends—where streets begin—and—alley’s end…Cold away from street lights…And! Silent away—from rider less—paths where—foot high white—bounce—lands and—covers asphalt ways—and concrete walks. Quiet so—Go no shadow pale—wall crawl—or dark creep—light speak—too scattered—to form—round interruptions—of snow motion—descend and bounce.

Trail signs run—up and down south-ridge-side of—hill-high below mountain tall…Tracking the organic beast—disguised to survive—tend to inorganic challenges—and when snow fall—covers everywhere and everything —‘tis mountain tall—the safest refuge…Nothing rusts any longer…Well-oiled and fine—Gleam suits of almost steel—reflects sunlight’s glare—and deflects insults and injuries and wounds-to-destruction…And! When tucked inside Gleam suits—those hidden may be—Organic—Inorganic and both. Either —‘Runners or those Running’ can think—can wit and outwit both sides—equally well—equally fast—equally furious and always deadly—as trail signs appear—and—disappear from light dawn ‘til night. The paradoxical motion—of ‘man-steel form’ and ‘steel-formed man’—are quickly defined—and—impossible to divine…Notions-are motions-of head shakes—as land-side changes—rearranges—hills-to-valleys—and reverse flows streams-to-river glows. Armored trains passed through snow mountains of tree mix—fallen leaves and save rumbled echoes— silence. Where do these trains go? They are armored trains and they go toward battle. Out of sight—out of mind—and unless this war comes our way—this war does not exist.

When in love—distance from the ‘one’s—‘Love’ is just formality…A spirit being “in-love’—takes no notice of Space—Distance—Time…Paley’s watch—keeps ticking—and—Universal continuation—continues. Our world of right now—words—worldwide—so many—too many—too often—are—persecuted—imprisoned—suffer sub-human disadvantages—and are killed—for religious reasons—beliefs political—their race—their sex—their loves—and still—the wisdom of engagement—on behalf of human rights—is not only a moral imperative—but eternally required—everywhere—every moment—‘cross the continuum universal—and still—Paley’s watch—keeps ticking and ‘too often’—occurs—eternally.

“Among the stars
there is a place
to where my heart
always returns.

Alone I look for the way
hoping you are waiting for me
where the hostile world has no say
that is where I always want to be.
Where my rush of thoughts
in oblivion drowns
to forget the evil lot
I will sleep in safe arms.

Among the stars
there is a place
to where my heart
always returns” by Anna Aya Stefanowicz

The gentle touch—of skin—brushed-wind—morning stars—and angel’s dust… And! These precious feet-touch—wings-speak—to start another path—leading little ones—to another—precious shore—sustained hope—and—just wishes for a moment—of ‘good day’…Uncertain in world-scream—uncertainties-wide—grief—bowed head—always—certain in—the certainty—of swift chaos—and—tears…And so—no doubt—be found—from ‘cross this sea—travelers see—candles bright—‘cross this night—a coming home-to-us—delight—light shined—‘Welcome’—from windows’ space—of ‘Safe Harbor’—not race—just place—to stop—and—stay awhile… Real Sea—we’ll see—and another and another—of water-ships and places far away…

This is here and between landings another beach—reach and as quickly discovered then thrown away…Dragging the lines of surf’s fall and rise—as waves dash high—into moonless sky—and crash along miles—of sand and shoreline. Sea inhale and exhale and breathe again—and time marks—nothing—when endless and everlasting.

So! Pixel me a thought today and watch as pictures fade away.

Is Dancing-in-the-dark a safe—practice or ignorance—as blissful—as stopping—to touch flowers—eyes-to-face-to ground and into oblivion? And! The scent of inorganic flowers never compares to the scent of a Rose…

So! Pixel me a thought today and watch as pictures fade away.

And! Beautiful you are…

 

‘Creek Mary’s Blood’…by Nightwish

 

‘Locked Within A Crystal Ball’…by Blackmore’s Night