Eye Needle And Space….

“It is the duty of us all to ensure that our society remain one of which we are proud, not a society wary of immigrants and intent on their expulsion or a society that disputes the welfare state or a society in which the media are controlled by the wealthy. We would oppose such things were we true heirs to the National Council of the Resistance.”by Stephane Hessel

Eye Needle is a fourteen mile plunge to blue aperture. An immediate dash and slight-in-travel maybe more-of-less and ‘cross time-mines and star twinkles before twinkles begin. Thread thin and long stretched in color and distance and change and certainly certain of ending somewhere or another here or there or a concluded or anxious everywhere. Eye of needle is a passage. It is the permanent expectation of homeland’s differentials and discovering similar situations. A sanitized gateway to the suggestions of home and of space and a place—to body shape and shift and survive.

There is a river of twisting stations and the mysteries of death silenced by injured variations in flight and deviations in shoreline distances from blood allotted and the location of spirits and of group-touch. Once lost inside these memories, a struggle-to-remember-forgotten places continues behind the twisting pines of needled trees and safely beyond the influences of iron spears and burning tears…

“Congress shall make no law respecting an establishment of religion or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”—First Amendment to the Constitution of the United States.

‘Congress’ is the First word in our First Amendment. Words are shielded against all governmental officials and their agencies. All means protection from: Federal, State and local—Legislative, Judicial and Executive! So! ‘Let Freedom Ring.’

“Is it the end of an era?
Is it the end of America?
Is it the end of an era?
Is it the end of America?

No, oh
It’s only the beginning
If we hold on to hope
We’ll have a happy ending
When the world was at war before
We just kept dancing
When the world was at war before
We just kept dancing”—
by Lana Del Rey

Words! Articulated and scripted are either correct or incorrect. The beauty of language is the spins and twirls of words both; associated or separated from; thought, emotion, intention, rhythm, rhyme, prudence, attentiveness and the day-to-day; Who, What, When, Where, Why and How.

In both; fiction or non-fiction, words swirl and whirl from lips, from minds and from tools-to- record. Pens and pencils and keyboards do suggest other ways-to-think, to interest, to animate and to crash within the awareness of readers in all domains tucked just outside the start of simple and the end of perplexity.

To perceive and conceive and absorb and substantiate every notion and motion known or just beginning to develop something real or unreal is suitable. With no restraint to communicate every notion and motion either known or just discovered, is sacrosanct. Freedom of Speech and Freedom of the Press is the motion of all notions correct or incorrect. So! ‘Let Freedom Ring.’

Words are not always genuine or insincere. Context is often a cover for lies or truths. Readers determine validity or invalidity. Often this determination is not objective. Whimsy may not be independent. Reactions often supplant logic. Interpretation often discounts emotions. Habitually words spoken are received as the listener wishes to perceive those words and understand what is said or meant or imagined or desired or needed as fact or fiction. Often the silence between each word, communicates everything.

We shift into objects of alternative daylights with the accepted expectations of extraordinary flashes of original thought and lights of magnificently creative—creations through perceptions of flashing preconceived originality and congested repeaters across a wondrous land of sugar and cinnamon-spiced tea-or-coffee-or me-or-you-or-us or…In the becoming of an impression immortally important and into legacy’s realm repeated and recalled and retweeted we ‘amen’ to both; the previously consummated and the just about to transpire! Ashes-to-ashes and dust-to-dust-new-ways-to-win—we must be us?

The ‘where-in-the-world’ we emerge is no irritant to the matter-of-the-matter. The ‘I’ of us never survives without the everywhere-of-everyone-in-everyplace within the sky and beneath and beyond the lights of moon—stars and sun dances beyond the imagined realms of universal distance and the figures-of-figures wrapped around a third planet from here-to-there and again to another planet of wondering folks alive in both spaces and places and time.

We are all émigrés of this Universe. Since an explosion of mystery or notions or nicks or knacks or reasons or rhymes, we step through time and place and dwelling and one-to-another. We are the administrators ‘blood of red’ equal ‘air’ and the performers of fiction and truth, drawn by spirits same; the dreamers-of-hope and the hopes-of-dreamers. We are the ancient, the existent and the days-of-yet-to-come. We are the gods of virtuosity!  We are life—all growing and all walking and all crawling and all swimming—We are Life—perfect and unstoppable.

And! Beautiful you are…

 

‘When The World Was At War We Kept Dancing’—Lana Del Rey

 

‘Bohemian Like You’—The Dandy Warhols

 

Borrowing From Well Oil And Rust…

“In the shadow of the steeple I saw my people
By the relief office I seen my people
As they stood there hungry, I stood there asking
Is this land made for you and me” …by Woody Guthrie

Along Martian Ridge—one line—eye stretched far—once was—a stutter of thorn—then throne—then grain—then throne—then repeated—until distance—failed seeing and sight disappeared— when ridge—merged sky—and—matter dropped—from surfaced rust. And! On these staggered thrones—Writers’ names etched’—crystal tags—attached—along the top-front—of every throne.’ Round-about—pinpricks and—holes into space—race the flights—of gulls ‘cross sky—where ending—starts—and reason begins…We do—remove those ‘for granted’—blinders’-of-right-sight—and often skyward—search and find—light…Wormholes—cosmic cross—universes—near and far—and still ‘we’ see—the vast—of power blast—possibilities—of relativity’s—loopholes—and just hope-know-now—‘warp drive’ may—span distance ‘cross—space—time wonders—wandering about—wilderness—speak—‘til speed—crease—cease—and earth-lock—unblock—free—‘childhood’s end’—and into space—we—seek-creep and star-child begins—again…

A little Galaxy up line—along ridges circling—the ‘Giants of Milky’ at angles right—to the main disc of stars—containing everything—even a Sun—of our shines—not scattered at random—but—ordered and held together—a swarm—by a cosset halo—of matters-dark—rarely seen—but always present…And! A well-stocked mind—is never bored—donchaknow?

World begins—green light, blue corn stocks—stacked across—giant ridge—five hundred miles and stopping—just because—height stops—and sky—begins. “Tis reach—to stay and say—this place is—climbing high—growing large—from spinning barge—‘cross this—sky bright and—eternal night…Everywhere snow—large flakes and small—swirl ‘round this alley wide—middle dark—to light muffled—both ends—where streets begin—and—alley’s end…Cold away from street lights…And! Silent away—from rider less—paths where—foot high white—bounce—lands and—covers asphalt ways—and concrete walks. Quiet so—Go no shadow pale—wall crawl—or dark creep—light speak—too scattered—to form—round interruptions—of snow motion—descend and bounce.

Trail signs run—up and down south-ridge-side of—hill-high below mountain tall…Tracking the organic beast—disguised to survive—tend to inorganic challenges—and when snow fall—covers everywhere and everything —‘tis mountain tall—the safest refuge…Nothing rusts any longer…Well-oiled and fine—Gleam suits of almost steel—reflects sunlight’s glare—and deflects insults and injuries and wounds-to-destruction…And! When tucked inside Gleam suits—those hidden may be—Organic—Inorganic and both. Either —‘Runners or those Running’ can think—can wit and outwit both sides—equally well—equally fast—equally furious and always deadly—as trail signs appear—and—disappear from light dawn ‘til night. The paradoxical motion—of ‘man-steel form’ and ‘steel-formed man’—are quickly defined—and—impossible to divine…Notions-are motions-of head shakes—as land-side changes—rearranges—hills-to-valleys—and reverse flows streams-to-river glows. Armored trains passed through snow mountains of tree mix—fallen leaves and save rumbled echoes— silence. Where do these trains go? They are armored trains and they go toward battle. Out of sight—out of mind—and unless this war comes our way—this war does not exist.

When in love—distance from the ‘one’s—‘Love’ is just formality…A spirit being “in-love’—takes no notice of Space—Distance—Time…Paley’s watch—keeps ticking—and—Universal continuation—continues. Our world of right now—words—worldwide—so many—too many—too often—are—persecuted—imprisoned—suffer sub-human disadvantages—and are killed—for religious reasons—beliefs political—their race—their sex—their loves—and still—the wisdom of engagement—on behalf of human rights—is not only a moral imperative—but eternally required—everywhere—every moment—‘cross the continuum universal—and still—Paley’s watch—keeps ticking and ‘too often’—occurs—eternally.

“Among the stars
there is a place
to where my heart
always returns.

Alone I look for the way
hoping you are waiting for me
where the hostile world has no say
that is where I always want to be.
Where my rush of thoughts
in oblivion drowns
to forget the evil lot
I will sleep in safe arms.

Among the stars
there is a place
to where my heart
always returns” by Anna Aya Stefanowicz

The gentle touch—of skin—brushed-wind—morning stars—and angel’s dust… And! These precious feet-touch—wings-speak—to start another path—leading little ones—to another—precious shore—sustained hope—and—just wishes for a moment—of ‘good day’…Uncertain in world-scream—uncertainties-wide—grief—bowed head—always—certain in—the certainty—of swift chaos—and—tears…And so—no doubt—be found—from ‘cross this sea—travelers see—candles bright—‘cross this night—a coming home-to-us—delight—light shined—‘Welcome’—from windows’ space—of ‘Safe Harbor’—not race—just place—to stop—and—stay awhile… Real Sea—we’ll see—and another and another—of water-ships and places far away…

This is here and between landings another beach—reach and as quickly discovered then thrown away…Dragging the lines of surf’s fall and rise—as waves dash high—into moonless sky—and crash along miles—of sand and shoreline. Sea inhale and exhale and breathe again—and time marks—nothing—when endless and everlasting.

So! Pixel me a thought today and watch as pictures fade away.

Is Dancing-in-the-dark a safe—practice or ignorance—as blissful—as stopping—to touch flowers—eyes-to-face-to ground and into oblivion? And! The scent of inorganic flowers never compares to the scent of a Rose…

So! Pixel me a thought today and watch as pictures fade away.

And! Beautiful you are…

 

‘Creek Mary’s Blood’…by Nightwish

 

‘Locked Within A Crystal Ball’…by Blackmore’s Night

 

Notions Of Motions Often Move…

“If you must leave,
Leave as though fire burns under your feet
If you must speak,
Speak every word as though it were unique

If you must work,
Work to leave some part of you on this earth
If you must live, darling one, just live”…by Keaton Henson

The time to listen…It arrives when snow begins to fall. Space between snowflakes apart—not far and universes at first wide—-soon collide. What we know often changes—often rearranges—-as trust comes and beliefs go—-are remembered, reevaluated and situated between silence and noise. Tonight, moonshine—-gauze sky and above those trees without leaves—small flocks move—-V-shaped—bottom-less—-angels of purpose—motion—fixed in mind and traveling south for in their sky—there be pathways worn—-since the beginning of their—time.

‘We’—determine—destiny—sometimes? Angry Gods—do not exist. Angry men—matter little—except to scrubs—of scurry selves—beings—just spinning matter—of expressions. Rude—the kings and queens—of foolish speak—when angles fall—toward earthbound trivial…Moment Gods—require no explanations—when fear rules—these angled angels. As flesh—we return—turned peace—to war and gash—slash ‘cross—another spin of earth. Battle— disturbs the strength—of peace and the balance of life. We war—against nothing—save ideas and the—ideals of anti-life. Remove religions and governments and kings and queens!

Better-to-fall-in-love—and not—fall-in-battle—donchathink?

Survival moves existence from space-to-place—from cave-to-cavern and always backward or forward over again and again over—-be whimsy or need—or—combinations of both do or do not and motions never stop—always moving, always coming and forever going—no matter where—for the getting there is—-ingrained—-as a billion minutes of time start and end again. We turn now toward—forked road—ways beyond sighted-righted places—and our stars of guiding trails—twisted—misted—shakes and quakes—push-pull us—toward left trails or right paths…Guiding compass—lodestone—or stars—point the way—only one direction—to go and to return—toward—this direction taken—always pointed—is pointed—toward us…

The extent of inequality is relevant for policy making…Policy making is forever addressing the reasons for inequality but never-ever changing the imbalance of balance…Revolution always; changes motions-of-these-notions for a little while and then imbalance again pushes—-against equilibrium.  And! Sometimes; the distinction between what is politically convenient to believe and the objectives facts no longer exist.

Flying ‘cross a sky without atmosphere is vacuous, too.

Is it a truth—that ‘there be’ people in the USA; each one—- making more in one year than the entire population of the House of Representatives? Wondering about the imbalance—and believing that Wealth rules everything? Wondering if anti-monopoly laws can—-balance-the-power now exerted daily—-by Companies—-called Alphabet—-Amazon—Apple—Microsoft and Facebook? Wondering— H.L. Mencken said, “it is difficult to get a man to understand something when his income depends on his not understanding it.”

Lies often feed hungry stomachs—donchaknow!

We are not means to an end—others—may wish to accomplish…We are not tools—to be used. We are not servants of need-greed-to-be-freed—or bandages for other wounds—nor sacrifices to gods—come whimsy or rushing wings—gift bearing things—beads—baubles—glitter or flash…We are not born to be wasted or wasted-to-be-born…

Candle light—warms ‘cross tables—rooms—windows-to-windows and sometimes just east-north of darkest—planet spin—where night grin—grim news— ‘cross space wig-waggle and eyes search sky—die—search and die—until star-ship light—lights—night and candle light fosters— hope—before freedom ends—then begins—again. ‘One Thousand Tears’ are longer time—than years of fears—pass star night and moonlight fails. And! You and I are not—ever—born to be wasted—right?

Embrace the shivers that tearing eyes—begin heated wraps of—word twist-to-mist and the weight of knowing these—often are and are not—often understood or—would be—see changes—little known for time—sometimes escapes—this place when hearing precedes—knowing anything at all.

And! Sometimes—we just cry—tears.

He loves her and She loves him. She loves her and she loves Her…He loves him and he loves Him…Love is correct—Love is life—Love is the only power that matters…The matter of Spirit Flesh and Body Spirit—Time and the distance—between heaven spaced and drops of rain…

“Courage is grace under pressure”…from ‘The Old Man and The Sea’ by Ernest Hemingway

 

And! Beautiful you are…

Of Balance—Of Checks…

Near Fort McHenry— began ‘The Battle of Baltimore’ and from a poem “Defence of Fort M’Henry”, Francis Scott Key developed what ultimately—would become “The Star-Spangled Banner.” In 1931, this song would become this Nation’s anthem… Francis watched the battle from a British ship called, the HMS Tonnant. ‘By dawn’s early light’ while still aboard the HMS Tonnant, F.S. Key caught a glimpse of the large and tattered Garrison flag still moving in the gentle wind… Resilience and Triumph; while celebrated through songs and stories, these notions are twin-twined—salted ropes—bondage chains—hunger—fear—gun-powdered air—laws unfair and—always War…

“Defence of Fort M’Henry”

“O say can you see, by the dawn’s early light,

What so proudly we hail’d at the twilight’s last gleaming,

Whose broad stripes and bright stars through the perilous fight

O’er the ramparts we watch’d were so gallantly streaming?

And the rocket’s red glare, the bomb bursting in air,

Gave proof through the night that

our flag was still there,

O say does that star-spangled banner yet wave

O’er the land of the free and the home of the brave?

On the shore dimly seen through the mists of the deep

Where the foe’s haughty host in dread silence reposes,

What is that which the breeze, o’er the towering steep,

As it fitfully blows, half conceals, half discloses?

Now it catches the gleam of the morning’s first beam,

In full glory reflected now shines in the stream,

‘Tis the star-spangled banner – O long may it wave

O’er the land of the free and the home of the brave!

And where is that band who so vauntingly swore,

That the havoc of war and the battle’s confusion

A home and a Country should leave us no more?

Their blood has wash’d out their foul footstep’s pollution.

No refuge could save the hireling and slave

From the terror of flight or the gloom of the grave,

And the star-spangled banner in triumph doth wave

O’er the land of the free and the home of the brave.

O thus be it ever when freemen shall stand

Between their lov’d home and the war’s desolation!

Blest with vict’ry and peace may the heav’n rescued land

Praise the power that hath made and preserv’d us a nation!

Then conquer we must, when our cause it is just,

And this be our motto – “In God is our trust,”

And the star-spangled banner in triumph shall wave

O’er the land of the free and the home of the brave.”—Francis Scott Key

Francis Scott Key used his office as the District Attorney for the City of Washington from 1833 to 1840 to defend slavery, attacking the abolitionist movement in several high-profile cases.” WTF?

We go to war for many-many reasons…And! Not often, but just once-in-a-while—we ‘the people’ almost become free people—but never-ever free of War. One can still love one’s country and hate War…One-can-still-love-one’s-country and Hate the war of ideologies—divisions of colors (‘red and blue and tattoo you’) …We share—we care and Governments must never separate the ‘We the People’ from the ‘US’ of America…And! If the Executive and Legislative and Judicial branches—treetop high—dance without harmony—hopefully—they will always—dance—check the balance and balance the check—donchaknow? Because of this dance—we may—be free for just a-little-bit—longer…

“Sign—sign everywhere a sign—blocking out—the scenery—breaking my mind—Do this don’t do that—can’t you read the sign”… by Les Emmerson

Venezuela: How do positive steps—Socialist reformation, a people’s transformation, a government of wealth redistribution—founded on the peoples’ needs—dreams of better days and hope for a long-term future become a failure? Venezuela has trillions of dollars in petrochemical wealth…It also proof of greed’s ruin and prosperity climax—ruin and end.

Spin this among a million worlds across thousands of sun/stars. Calimesa had once known riches…Crystal rich planet of star-drive fuel for thousands of Star ships…Colonial power cast about one thousand worlds…A rich center—wealth—work for everyone—educated—protected peoples…All good until greed destroyed Calimesa completely in one thousand years…Among the stars Power lives and dies much quicker—than Black Sun twirls—whirls of long-life and death fast—Explode and move on…Crow-man’s old world name, his Calimesian name—is Theodis—Carmelt-Shiamotory…Theodis was born wealthy—was born a beautifully shaped baby—grew into a beautiful being—moved beyond green water and green diamond foam— shaped-to-shift—to other shapes—another heartbeat—heat—bother body to another—space-place-race and graced to forget everything…Not an Earther—still earth-bound—gravity ground—added—pound—adapted to see—to be—to flee and survive another dive—spaced—race—paced—too fast-to-be-so-slow…

“Walls appear—Fear—No! Climb those Walls and Welcome Home.”

And! Beautiful you are…

 

Lucretius Sings…

431Lucretius—“Before you the winds flee, and at your coming the clouds forsake the sky. For you the ocean levels laugh, the sky is calmed and glows with diffused radiance.” “Do you not see that nature is clamoring for two things only, a body free from pain, a mind released from worry and fear for the enjoyment of pleasurable sensations?” ‘There is a—serene acceptance—of Death’s inevitability. Evil is cancelled and there is nothing to fear.’ For ‘Lucretius’—“Religion is ignorance—Reason is the torch that brings light.”

We are self obsessed—Everything Us—Our gods—Our history—Our philosophy and Our psychology…Still Cave folks we may be—then see—our ignorance—our prejudices—weak sense and shadow selves—to learn—to set us free—above ground—round where—sunlight and shadows both confuse and naturally mix…We are grains of elementary realities—divided—cornered—pushed and pulled—colliding with one-another—attracting—joining—coupling and uncoupling either by—by-product and always random and often accidentally. And! What happened to Democritus? Why is Aristotle—‘thought speak’ the foundation of Western normalcy? Why monotheism? Why—the ‘anti-pagan’ movement powered by yet—another belief—‘Christianity’—destroy all written proof—not in accordance with— ‘Christian Ideas’…Emperor Theodosius made Christianity—‘the only and obligatory religion’—of a once—open-minded—Empire and Ancient Schools in both—Athens and Alexandria were closed and Democritus’ texts of ‘Naturalism’ destroyed…Why? Aristotle and Plato were both—Pagans. They believed in the immortality of the Spirit and the possible existence of God—Gods—Mover Prime ‘Directors’—not in accordance with Christian’s ‘baffling wanders’—but close enough to tolerated—eh? Must be an Ark—Ship of wood—and could—be—maybe—a Starship crossing another Sea-of-sky and those spaces between the—Stars…

Last night was a ‘moving on’ kinda evening…Spirits do leave and head out homeward—another place—another sun—places again where planet twirl does not matter and race-races—racing—starts ‘n’ stops are not existent—no time flavors or must do favors…Not an end—begin again—was always right along—side—’tis maybe that great mystery—we want to know and know anyway…Nothing judges—Eternal Spirits—no reason—no rhymes—not time to forgive—material needs—greed develop and disappear…Great church side—lurch forward—backward—more words of material gain—lost or found—still around—never necessary—always there…

Tired—Tried and Tested—rested and begins a moving away—a time to go—and a quick giggle before—looking back—is last time—a final rhyme—this time—and moving on—it is time to go…She saw that this time was good… Fire—Blue light—‘sorta’—start-stop—dancing—yellow streaks—red coats and journey starts. Screaming—moons toward—light and still—horses run Martian Ridge. We are children of those—salted seas and spirit trees. And! Clouds often look for—skies. …Hollow man—robot without—spirit-animation-without ‘ghosts in the machine’…We be not—holy hollows—we be—imagine—imagination—beyond pushes of strengths—we dance—baby birthing—powerful protection and iron love—nothing stronger than love or better than together songs and the unification of eternal spirits.

“Nothing  behind me, everything ahead of me,

as is ever so on the road.”…Jack Kerouac

“She shared with Gypsy Spirits—She danced with Cosmopolitan Souls—An Anchor—A Burst of Wind and Love…Diane and I are —“Wishing Her Gentle Winds—Soft Curves and Wonder”…

 

And! Beautiful you are…

 

Flip-Flop And Vacuum…

4583“Hey you out there in the cold
Getting lonely getting old
Can you feel me?
Hey you standing in the aisles
With itchy feet and fading smiles
Can you feel me?
Hey you don’t help them to bury the light
Don’t give in without a fight

Hey you out there on your own
Sitting naked by the phone
Would you touch me?
Hey you with your ear against the wall
Waiting for someone to call out
Would you touch me?
Hey you, would you help me to carry the stone?
Open your heart, I’m coming home

But it was only fantasy
The wall was too high
As you can see
No matter how he tried
He could not break free
And the worms ate into his brain

Hey you, out there on the road
Always doing what you’re told
Can you help me?
Hey you, out there beyond the wall
Breaking bottles in the hall
Can you help me?”…by Roger Waters

And! Still the flip-flop shriek—wind sound—slips round—colder spaces between—broken brick corner—and crumbled mortar—time aged and weather worn—and–since-time-began—nature is never fond of vacuum. Crowman stumbles—sandal worn strap—from right side notion—of footwear—broken—a thousand years ago—causes flip-flap noise—skyward shrieks—bombers ‘cross—inside clouds—so thick from sky-to-almost-ground—as to hide nose rounds—fired—as jumps—loud then quietly—as pronounced—as gone… Statues—broken—some scattered round—park-of-lost—times—before the mime’s danced—unbroken and bending to—purpose—unfounded-unknown—or lost with—the rhymes of times—recorded-forgotten—and gone.

Arrives—those machined boxes—machine-sweet and together—in minds of same or alternates—where we twirl—the whirl and call the laugh—or—two—as boxes open and—away we—they separate into—some thing-or-less or—the loneliness of crowd—bridges twin screw moments—of those spaces-of-time— without seconds. And! We—search blood and find–taste good—in mingle-tingle moments—touch-amazing—touch not those—imagined sources of—unnecessary wariness—and one—is another brief—the flashes together spread—the separate into—singularity—no more than once… Feel intimacy—of rhythm-or-rhyme—as touches—speak hides deep—inside the formality—of syntax creep and syntax crawl—where ear-here—hears echoes bury—idiom not—conveyed by—dictionary’s space—between word-speak and why…The share of—poet-touch and story-spin—of exile’s faith—of disaster’s private pain—as speech native—fails—creative spirit—often maims creature-speak—and often confuses—the never-place-of-everywhere. Still! Sweet Witches-of-Creation—smile—womb-spun life—comes and goes—without road-speak and without—interstate shriek…

Twilight—Dawn—departure gates—to swirl through—go-to-spaces—-between places—both here or-there-or-back-again—to hear-to fear-to find—to die or to—live again—in places without time—signs-in-parts—or sums-to-hold-again…Ecliptic twirl—galaxy ‘cross—spaces when composite—forms appear-to-disappear—Serpent speak and Eagle reach—Ophiuchus—holder-or- bold—once again—Quetzalcoatl boys—and—fair Gaia girls—wander star-gates—through and touch-find-found—reaches—useless rhythms and trouble—times. Ophiuchus high stands— above sun—rises-feet-crossed—Galactic wide and planetary—substance filled—from brim-to-rim and back-again…

Our nature runs—with or from—the many or the few…See often through—curved ceilings of doorway—when curved light enters—twenty-one windows round—openings through—to escape places or—leave regions. Still! More spirit than—body proper—’til chemicals—those-of-doubt or-satisfaction body rule—self ending sometime—in time—without reasons to be—except—a rhythm to—complete. We are—the daughters—and—the sons-of-earth—and of—the starry skies. Our history–alive—simple and true—except when—suppressed—through layers—distortion or—flashes of fears and—tears…We are the eternity of spirits—never having—to begin—and—never ending. Such is—the sweetness of life.

“The circle safely closed—the web building starts—the markers of builders old and builders new. Star Guide—folded into original shape— until it is—again required and opened to read and follow—‘cross sky-bridge….Bang-Bang-Bang and let the game begin—again…‘Tis’ good this Loving Rhyme. So! Follow this Time—this Twine—Re-wind. And! While I breathe—I Hope…”

And! Beautiful you are…

‘Hey You’…written by Roger Waters—Performed by “Smooth Jazz All Stars”

Fluid As Liquid Pours…

14259

“I thought then I should save one small warm true thing from the flood.”
—Zbigniew Herbert, “Elegy for the Departure of Pen Ink and Lamp”

Our lives are fluid—liquid pour—consume—replace—replenish— and then—recall. Surprise! How we shift—habits and ways—allowing for empty space—of balance—restore. Darkness seeps—slowly into day—end bright…Night fills lighted places and turn-on bulbs—share grays—shades many—always simulate and always fail—to cheer the sun…And! Rain does pour from sky—onto roof—through spirals both—short or long—gutters or just eaves—from leaves’ soak—or arcs—golden tricks of night light—inside—as outside water—splashes ground—collects—sidewalk—flooded cracks—into pools of wet—and of—mud carvings—and pavement soaks.

Still here—beneath these heavens—our sea—swirl-twirls and we hear—whale sing-song our mother— into-necessary-sleep. Whale—sing-songs—the heating of blood-self—until warming is—non-fear. She rises from—emerald seas and from—black sands—where tide pulls current— and—lines-of-moon-light are perfect—and—disappear into the—dustless night. Now! Touch— the Dancing One—the Witch of life—and taste—her creations…Goddesses do create—Heavens-Earths and Moons-Suns—while passing—Spirits-to-flesh—and back again…Spirits do form—and substance—is free… Correct notes!—Pipers of those—silver flutes—held ‘gainst heart ‘beeps’ strong—as fair—seafarers often pass—others-into-light—as others ‘cross— star-streams-to-suns—above sea and beyond sky…

‘These are summer’s small ones. Little boys—a lake—a sun—a length of blond hair—red hair— freckles and frogs. Brothers—little and younger—play in tiny waves-too small-to thunder toward sandy shore and pine trees. And wind—wanders through those pines—growing in rows above—rocky places where shadows of— fern and grasses cling and mingle with—swimming life—aquatic things—rainbow-colored trout and fish brothers—hoping to catch…These rafting days—orange and yellow circles—filled with air and noise across a quiet bay. These are singing days! Shouts and shrieks and whistles—‘cross the harbor call—where wood-hulled ships rest—bell claps—rocking waves and setting sails. Snake twins—those boys—brothers of blood and the eternal bonds—of water and of mud. Water children—held above the line—knowledge buoyant—unafraid and free—defeating for the playtime—gravity and restrictions of—a drier Earth. Sunshine—West-turns and slips beneath the sky. Nymphs have forgotten—paradise found—summer’s little ones. So small! Beneath the scheme—of earth and large beneath the stars. So bright! Those stars! Filling lake—sparkles and silence—gems dancing and laughing diamonds…Tiny—brothers’ sleep fast and safe—within their dreams. And! A father listens—to the brief and passing sounds—of laughter.’

Frantic! This talk—‘America’ speaks—and ‘Failure’ reeks—long lengths-of-rhythm ‘Lies’ as ‘Freedom’ dies or never—was—does-as-trouble—double-entertains—prior—to longer-nights-shortest-lights—still counting times—as errors made and ever-never correct—when realization—is always—too late. Never! Allow Government to destroy—the people’s achievements—their history—their language—their future dreams. Happens! And we—become ‘winds-of-ash’ then gone—We! Then—never exist. For Genocide—-does destroy flesh—and—more than bone. Genocide destroys Blood-Rivers-of-Life.

‘You and I—and life about—as we shout ‘Love’ skyward—nothing stops our—Dance—You and I— Together! We know—nothing exists—without Love’s Power—Tower—Flower and Life… Life ignited—united—delighted—excited…We touch—hand-to-heart-to-spirit—and—let Eternal Dance begin…’

And! Beautiful you are…

‘Send Me an Angel’…by Klaus Meine and Rudolf Schenker—(Scorpions)

 

‘National Anthem’…by Lana Del Rey

Hordes of Rage Street…

Yusuf Islam“Peace Train’

“Now I’ve been happy lately
Thinking about the good things to come
And I believe it could be
Something good has begun
Oh, I’ve been smiling lately
Dreaming about the world as one
And I believe it could be
Some day it’s going to come
‘Cause out on the edge of darkness
There rides a peace train
Oh, peace train take this country
Come take me home again
Now I’ve been smiling lately
Thinking about the good things to come
And I believe it could be
Something good has begun
Oh, peace train sounding louder
Glide on the peace train
Come on the peace train
Yes, peace train holy roller
Everyone jump upon the peace train
Come on the peace train
Get your bags together
Go bring your good friends too
‘Cause it’s getting nearer
It soon will be with you
Now come and join the living
It’s not so far from you
And it’s getting nearer
Soon it will all be true
Oh, peace train sounding louder
Glide on the peace train
Come on the peace train
Peace train
Now I’ve been crying lately
Thinking about the world as it is
Why must we go on hating
Why can’t we live in bliss
‘Cause out on the edge of darkness
There rides a peace train
Oh, peace train take this country
Come take me home again
Oh, peace train sounding louder
Glide on the peace train
Come on the peace train
Yes, peace train holy roller
Everyone jump upon the peace train
Come on, come on, come on
Yes, come on the peace train
Yes, it’s a peace train”…by Yusuf Islam

When peering through keyholes—of anecdote and description—we may discover—scatters and bits-of-bytes—self—no self—us—not us—and always—a something—somewhere—tunnel version—or panoramic—exhaustively great—grated spreads—facts of fictions—truths and not— exactly correct. Along thin—streaks of asphalt—and concrete side-way—the sidewalks of ‘Rage Street’ fill—with howlers and prowlers—simple symphonies—fiddler bows—and drum-sticks—silver and crowds—of the comers and the goers—of the blenders—and the unwanted—the home folk—and the strangest—strangers—foreign—homecoming—and the giggle-of-mirth.

We are an instant in Time—Lined in rows of minutes…We are The People—Eternal Spirits all—We are The People—We are not Religions—We are The People—We are not Governments—We are The People—-We are not War—We are The People—We are not Aliens upon this Earth—We are The People—Children of the Universe—We are The People—We have the Right-to-be-Everywhere—We are The People—And! Governments All—Hear us Call—We are The People—All-of-Us—Right Now! Tomorrow Time—‘tis still the Crime—We are The People—We are the—Choice of the—Spin-of-the-Twirl—and—Spirits-of-the-Universal Swirl…So! Let us-be-written—So! Let-us-be Done…

And! Beautiful you are…

“Peace Train”…by Yusuf Islam…

 

“Dangerous Type”…by Ric Ocasek—performed by The Cars

The Orbit of Multitudes…

136_JLThe Orbital Multitudes—arrived above Calimesa City—lighting a sky—once dark—for one hundred years—often gray—often starless—often filled with falling dust—black soot—oil rain—and prime—with grime. The Galileo folk—talked of these things—long before ‘these things’—arrived. Priest-speak—praise reek—the beginning of ends—beginning again—along with those street whisperers—truth—less dares and single cares. Before a million days’ past—present days and moment ways—had once multitudes—filled sky—before changing way—circles found—round—older time—than now and here—to hear and see—another dot of light—fill—with winter sun—and less—night long…

And! There is night long rights—when moving creatures—tree merge—in pale moon—light scatter—along mist ridges—or bridges—‘cross valley tucked down—so far—not to be—to see—in silhouette’s’ shadows’ rhyme—without day count—or time. The water’s edge and skies of blue and pink and red and orange and yellow—as earth spin sets sunlight to softness and twinkles of sky-lighted-canvas—sheets the blue-gray into darkness—and stars light —the sailor’s way along the caverns—of space and place and—the race of time. Still! We all cross spaces—along these places of—the races in time gathered—and night ships—crossing heaven’s ragged ridges…

Collusion collides—confusions of aesthetics—incarnations of color blocks—geometry—cage glisten—staggers-of-rusted-steel—lemon peels—orange scents—tombstones—and waste—placed—in straight lines—stratified air—and musk…Village Insis is—one hundred and thirty seven miles—from—Calimesa City—reached by dry road—three forded rivers—or—one craft stretched—across the Wall—Hallenid and a—flash-splash-paced-space—of climb-drop—into Village-Center. Not far to run—unless walking—inside sun’s—noon-day heat—and—wanting to race—toward—streamed liquid—silver drops—and cooler rain. Aeolian Harps—line the wires—of sketch stretches—along creased ways—eastward and away—from town-side-to-City lights—along many sparkles—from river’s edges—to sea shadows—and piers.

The Walker—a silhouette tuck—tucked low—beneath Grand Moon rising—careful-to-carve—a cross-dark-sky—too close to be real—and—too real to be—proximity’s cost—close—to-shapes-to-shift-shapes—and closer—to buildings tossed—‘cross landfall—to sea-line-to-skyline. Tide shifts—in evening time—and—changes along season’s—mix-or-match—same as sunrises—as sunsets—and—shadows do play—twin moon seasons—with splashes—textured cloud colors—and—star twinkles—too-far-to-see—or—too close to be—and—not to catch eye—noticed-in- brain—with spirit touch—time same.

The Walker—glides ‘cross jumble-tumbles—stone dust purple—made by rain—visible—as digs—once moved dirt—above rock face—and dragged—these weighted ones—from place-to- special-place—buildings built—or—structures moved—restructured—replaced or destroyed. Needed things—as times required—when places—were homes—and buildings ruled—seaside—land-side…And! Little death—be only—notions of—Lizard Kingdoms—where the motions—of ‘we-be-pills’—available—or needed—from car trunk glory to—never matters—what gates—we fall through—matters not—what star burns us…Matters—that gates open—matters—that stars are hot…

Now—run well—with the wolves—of Reach River Park—and—face taste days—of oiled rain—with cougar’s heart. Watch pageant—brute human—crowds—of those both—burning rights and torching wrongs—fights—both frenzied—always short—with bursts-of-peace—too—long notice—sun-scarred and dusted—with forests’ green—summers’ too—then—fallen leaves. Bargain old—with new—the contentions of—earth-speak and necessary sadness—necessity weighted—heavy burdens—too fierce—too varied and multiplied—by conditions-of—humanities’—weights and survival’s—moments—and—the need-of-greed.

We do not summon—gentle love…Love whispers—to our spirits—and—touches us—beyond the flesh-of-resistance—and—through those—routes of layers—of life—inside walls—too-high- to-climb—or under—or around—or about the shout—of daily doubt—and flight. Love—heart touch—and reach—into body frail—and those—attempts-to-hide—among thrones-of-thorns and cost—already paid—and—already spent. Listen—just listen. And! Love—reminds us of—the equality-of-equals—woman and man and—spirits—all trapped and—living sentient—sentences- of—life—inside body—minding body.

‘Brush to lids—of my own eyes—with sweet—your lips—touch deep—my heart—with spirit dance—your strength as—my own—often fails. We—you and I—do spin wheels—together—and—taste soft wine—in starlight bright—and—setting moon—so large that—reflected eyes— lock these—mind spaces—in—forever memories—of life. Tis—good this dream…Tis—sweet this Night…Shining candles—harbor flash—from sea-today-and-follow-tide…Come to harbor—sirens call…Shining candles—harbor flash…From sea-to-safety-side—tonight.’

And! Beautiful you are…

‘God Bless The Child’—performed by Julie London

Sings-Songs and Injustice…

Drone_321“Don’t struggle to get what you want—instead—modify your wanting.” Poverty—is not a ghost—current or an appearing—apparition…Poverty is present—poverty is not a future threat—poverty is now—poverty is harsh—poverty is real—and the result—is Revolution…And! Poverty is a ‘not-crime’—Greed is Crime against Humanity…

“The correct path against injustice—is—civil disobedience.”

Is nature—the force—causing us movement—through lives—of our own—creative—creations? Are we creations—to remain—objects without—motion? If forced—are we able—to sleep-creep—through life—quietly afraid—to disturb—silence—too loud to understand—and—too quiet—to tolerate? Too many—situation seekers—lost and discovered—by—sane folks and through—madness? Just wishes—causing words—to express—desires—wants—directions and confusions? And! Sometimes—this direction-in-word—herds—‘heard’—and will sometimes—just ‘appear’…

“Of all the enemies to public liberty, war is, perhaps, the most to be dreaded, because it comprises and develops the germ of every other. War is the parent of armies; from these proceed debts and taxes; and armies, and debts, and taxes are the known instruments for bringing the many under the domination of the few. In war, too, the discretionary power of the Executive is extended; its influence in dealing out offices, honors, and emoluments is multiplied; and all the means of seducing the minds are added to those of subduing the force of the people. The same malignant aspect in republicanism may be traced in the inequality of fortunes and the opportunities of fraud growing out of a state of war, and in the degeneracy of manners and of morals engendered by both…No nation could reserve its freedom in the midst of continual warfare. Those truths are well established. They are read in every page which records the progression from a less arbitrary to a more arbitrary government, or the transition from a popular government to an aristocracy or a monarchy.”—James Madison, “Political Observations,” April 20, 1795 (4th US President and Slave Owner)

‘Eyes Without A Face’

“Les yeux sans visage eyes without a face
Les yeux sans visage eyes without a face
Les yeux sans visage eyes without a face
Got no human grace your eyes without a face.
Such a human waste your eyes without a face
And now it’s getting worse.” By Billy Idol and Steve Stevens

Wondering—If humanity remains a ‘looped-group’—capable of containing and restricting Drone-self—then only—flesh and blood without Drone—screams—-bleeds and dies? Why—must we—be— the victory—of one more—progressive mission. However— if humanity—extracts itself—through—powerful carelessness—or greed—or becomes—a ‘looped-outside-group’—then will—the will—of Drone-self—become—a maybe—Self-self—to search-kill—and destroy—more than?

Wondering—When the taking—of warrior’s life—becomes a mechanical judgment call—what happens to—humanity? When the cost of— life is—determined-to-be-the—determination—of machines—is life—reduced to nothing? How much—cost to dispose—of body? How much to— incinerate—no records—required? How about—family? How about—warrior’s spirit? Machine has no family—Machine has—no spirit—unless—we robots—be robots—advancing far—beyond Drone’s—current code?

What is an appropriate—method or measurement—of Force’s use—through—Drone’s sensors? Currently—humanity uses—determinations called—‘appropriate judgment’—to respond—“correctly”—with the ‘proper use’—of force—over combat enemies—during—battle-rattle and ‘blah-blah’. How many—deaths—are necessary? How many—mothers cry? How many—children are—without—mother—or—father? How many—types of—‘collateral—damage’? And! The reasons—for going—to war—are either—reasons determined or imagined by Government…Drones do not—imagine. Drones do not—determine. Drones search—-kill—and—destroy. Humanity must ‘never-ever’—be Drones—of Government—and of Greed!

Is—Society equivalent—to the sum—of its members? Will the actions—of the members—of that society—serve to fashion—and to shape it? What are—the social consequences—of intentional actions—and—will these actions—often be unintentional? What is Society—to do—to ease itself—into an obvious—oblivion? Scientific Theories—are predictive. Societies’ songs prohibit—most predictions…

Yes and three times—Yes! I and me—and—we and us—-have seen it all—now—and—again. The Universe—from—speck to—mighty—and our—hurtling Earth—a—cross of heavens—filled with—multitudes—of-this-and-that. We see—it all—and—sweet—dream-side-slide—allows us again—to be—until—we-be—able again—too real and to close—to see…There and perched high—on—dream-side—at flip—of mind-sigh—we move—‘cross—Universe—so fine. Alive and gone—alive and gone—‘til counting-time—catches us—with mind-sides—swirling sight—of mind-light bright—and—brings another—way to see…

“Go ahead and hate your neighbor—Go ahead and cheat a friend. Do it in the name of heaven—You could justify it in the end. There won’t be any trumpets blowing—Come the judgment day. On the bloody morning after—One Tin Soldier rides away”…by Joni Mitchell

And! Beautiful you are…

‘Eyes Without a Face’—performed by Billy Idol